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	<title>NYCastings - DirectSubmit &#187; Body Language</title>
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		<title>How to Steal the Hearts of Your Audience</title>
		<link>https://www.nycastings.com/how-to-steal-the-hearts-of-your-audience/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-steal-the-hearts-of-your-audience</link>
		<comments>https://www.nycastings.com/how-to-steal-the-hearts-of-your-audience/#comments</comments>
		<pubDate>Thu, 06 Jun 2024 19:23:43 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting classes]]></category>
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		<category><![CDATA[behind the scenes]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=25331</guid>
		<description><![CDATA[<p>Stealing the hearts of your audience is an art that requires a blend of skill, empathy, and authenticity. Being an actor isn&#8217;t just about going through the motions; it&#8217;s about captivating your audience and forging a lasting emotional bond that resonates even after the show is over. Here is a roadmap to assist you in [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-steal-the-hearts-of-your-audience/">How to Steal the Hearts of Your Audience</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</title>
		<link>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 15 Apr 2024 17:55:36 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[5 Ways to Cultivate a Versatile Acting Range]]></category>
		<category><![CDATA[acting]]></category>
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		<category><![CDATA[audition]]></category>
		<category><![CDATA[authentic performance]]></category>
		<category><![CDATA[Authenticity]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[character’s motivation]]></category>
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		<category><![CDATA[holistic understanding]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
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		<category><![CDATA[silent]]></category>
		<category><![CDATA[silent expression]]></category>
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		<category><![CDATA[super-objective]]></category>
		<category><![CDATA[Time]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25228</guid>
		<description><![CDATA[<p>A Guide for Actors Versatility is key. A versatile actor can seamlessly transition between different roles, genres, and mediums, making them invaluable in the industry. But how does one cultivate such a diverse skill set? Here are five ways to develop a versatile acting range: 1. Embrace Continuous Learning At the heart of versatility lies [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/">5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>The Power of Observation – A Key to Authentic Acting</title>
		<link>https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-power-of-observation-a-key-to-authentic-acting</link>
		<comments>https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/#comments</comments>
		<pubDate>Fri, 19 Jan 2024 18:46:57 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Actor]]></category>
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		<category><![CDATA[audition]]></category>
		<category><![CDATA[Authenticity]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[boundaries]]></category>
		<category><![CDATA[Challenges]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[Continuous Learning]]></category>
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		<category><![CDATA[Depth]]></category>
		<category><![CDATA[dignity]]></category>
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		<category><![CDATA[ethical considerations]]></category>
		<category><![CDATA[human behavior]]></category>
		<category><![CDATA[human emotion]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
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		<category><![CDATA[method acting]]></category>
		<category><![CDATA[non-verbal communication]]></category>
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		<category><![CDATA[observation]]></category>
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		<category><![CDATA[society reflection]]></category>
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		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[The Power of Observation: A Key to Authentic Acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24998</guid>
		<description><![CDATA[<p>Acting goes beyond simply reciting lines and performing; it requires exploring the inner complexities of the characters. An aspect of this exploration is astute observation, enabling actors to infuse their portrayals with authentic emotion and depth. Observation is indispensable for actors, as it enables them to grasp and realistically depict characters with diverse emotions and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/">The Power of Observation – A Key to Authentic Acting</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>Silent Film Acting in the Digital Age</title>
		<link>https://www.nycastings.com/silent-film-acting-in-the-digital-age/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=silent-film-acting-in-the-digital-age</link>
		<comments>https://www.nycastings.com/silent-film-acting-in-the-digital-age/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 20:20:35 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting exercises]]></category>
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		<category><![CDATA[Actor Training]]></category>
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		<category><![CDATA[Charlie Chaplin]]></category>
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		<category><![CDATA[City Lights]]></category>
		<category><![CDATA[contemporary actors]]></category>
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		<category><![CDATA[Ilana Rapp]]></category>
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		<category><![CDATA[visual storytelling]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24914</guid>
		<description><![CDATA[<p>In a world inundated with cutting-edge technology, where dialogue and sound effects shape the cinematic experience, there&#8217;s a rare art form that harkens back to an era when silence spoke louder than words. Silent films, those magnificent creations produced without synchronized sound, transport us to a time of heightened emotion and unspoken communication. While often [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/silent-film-acting-in-the-digital-age/">Silent Film Acting in the Digital Age</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Monologue Mastery for Teens</title>
		<link>https://www.nycastings.com/monologue-mastery-for-teens/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=monologue-mastery-for-teens</link>
		<comments>https://www.nycastings.com/monologue-mastery-for-teens/#comments</comments>
		<pubDate>Mon, 24 Jul 2023 18:07:23 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[acting techniques]]></category>
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		<category><![CDATA[film scripts]]></category>
		<category><![CDATA[friendships]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[inner conflict]]></category>
		<category><![CDATA[interpretation]]></category>
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		<category><![CDATA[Monologue Mastery for Teens]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=24501</guid>
		<description><![CDATA[<p>The art of delivering an impressive monologue is a skill often neglected, especially amongst teenagers. Yet, in a world increasingly valuing effective communication, this talent is more essential than ever. Acting auditions, speech competitions, presentations – these all require a form of monologue mastery. This article offers a comprehensive guide to help teenagers acquire and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/monologue-mastery-for-teens/">Monologue Mastery for Teens</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>7 Tips for Building Tension and Resolving Conflicts in Character Relationships</title>
		<link>https://www.nycastings.com/7-tips-for-building-tension-and-resolving-conflicts-in-character-relationships/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=7-tips-for-building-tension-and-resolving-conflicts-in-character-relationships</link>
		<comments>https://www.nycastings.com/7-tips-for-building-tension-and-resolving-conflicts-in-character-relationships/#comments</comments>
		<pubDate>Tue, 07 Feb 2023 19:27:27 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[Book Club The Next Chapter]]></category>
		<category><![CDATA[Bryan Brown]]></category>
		<category><![CDATA[Building Tension and Resolving Conflicts in Character Relationships]]></category>
		<category><![CDATA[Cameron Diaz]]></category>
		<category><![CDATA[Candice Bergen]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[Chris Elliott]]></category>
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		<category><![CDATA[Diane Keaton]]></category>
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		<category><![CDATA[February 14]]></category>
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		<category><![CDATA[Ilana Rapp]]></category>
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		<category><![CDATA[Lee Evans]]></category>
		<category><![CDATA[Lin Shaye]]></category>
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		<category><![CDATA[Matt Dillon]]></category>
		<category><![CDATA[Meet the Parents]]></category>
		<category><![CDATA[negative emotions]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[resolving conflicts]]></category>
		<category><![CDATA[romantic comedies]]></category>
		<category><![CDATA[RomCom]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Shotgun Wedding]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=23716</guid>
		<description><![CDATA[<p>Building tension and resolving conflicts in a character&#8217;s relationship is a key aspect of performing in romantic comedies. These elements add depth and realism to the characters and the story, making the audience more invested in the outcome of their relationship. I, for one, love a romantic comedy. Rom-com for short. To me, they’re something [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/7-tips-for-building-tension-and-resolving-conflicts-in-character-relationships/">7 Tips for Building Tension and Resolving Conflicts in Character Relationships</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>10 Proven Tips and Tricks for Delivering a Great Acting Performance</title>
		<link>https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-proven-tips-and-tricks-for-delivering-a-great-acting-performance</link>
		<comments>https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/#comments</comments>
		<pubDate>Fri, 27 Jan 2023 19:10:40 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[10 Proven Tips and Tricks for Delivering a Great Acting Performance]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting 101]]></category>
		<category><![CDATA[acting secrets]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[acting tricks]]></category>
		<category><![CDATA[active listening]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[anger and anxiety]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Axl Rose]]></category>
		<category><![CDATA[be authentic]]></category>
		<category><![CDATA[be honest]]></category>
		<category><![CDATA[be present in the moment]]></category>
		<category><![CDATA[be present in the scene]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[Bruce Campbell]]></category>
		<category><![CDATA[Charles Mesure]]></category>
		<category><![CDATA[enunciation]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Gabrielle]]></category>
		<category><![CDATA[Guns N' Roses]]></category>
		<category><![CDATA[hearing]]></category>
		<category><![CDATA[Hudson Leick]]></category>
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		<category><![CDATA[phrasing]]></category>
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		<category><![CDATA[Renee O'Connor]]></category>
		<category><![CDATA[respectful]]></category>
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		<category><![CDATA[sensory acting]]></category>
		<category><![CDATA[sensory detail]]></category>
		<category><![CDATA[sight]]></category>
		<category><![CDATA[Slash]]></category>
		<category><![CDATA[smell]]></category>
		<category><![CDATA[Sweet Child O' Mine]]></category>
		<category><![CDATA[taking risks]]></category>
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		<category><![CDATA[touch]]></category>
		<category><![CDATA[Xena]]></category>
		<category><![CDATA[Xena Warrior Princess]]></category>
		<category><![CDATA[Zoom]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23654</guid>
		<description><![CDATA[<p>Acting is a complex and multi-faceted craft, requiring both imagination and technique. Whether you’re a beginner or an experienced actor, there are certain tips and tricks to help you achieve a great acting performance. Overall, the steps when preparing for a role is to understand the story, setting, character background and objectives; this will help [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/">10 Proven Tips and Tricks for Delivering a Great Acting Performance</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>How to Expertly Convey Negative Emotions Via Body Language</title>
		<link>https://www.nycastings.com/how-to-expertly-convey-negative-emotions-via-body-language/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-expertly-convey-negative-emotions-via-body-language</link>
		<comments>https://www.nycastings.com/how-to-expertly-convey-negative-emotions-via-body-language/#comments</comments>
		<pubDate>Thu, 12 Jan 2023 17:47:22 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[avoiding eye contact]]></category>
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		<category><![CDATA[equity]]></category>
		<category><![CDATA[eye contact]]></category>
		<category><![CDATA[Gene Wilder]]></category>
		<category><![CDATA[Heat]]></category>
		<category><![CDATA[How to Expertly Convey Negative Emotions Via Body Language]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improv]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[invading someone's personal space]]></category>
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		<category><![CDATA[Mel Brooks]]></category>
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		<category><![CDATA[Robert De Niro]]></category>
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		<category><![CDATA[Young Frankenstein]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23634</guid>
		<description><![CDATA[<p>This article delves deeper into body language, particularly, the negative kind. It&#8217;s a follow-up to our previous article Too Much Body Language can Destroy Your Performance. Be sure to check it out if you missed it because there are some great examples you can learn from. Body language is an essential tool of communication, and one [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-expertly-convey-negative-emotions-via-body-language/">How to Expertly Convey Negative Emotions Via Body Language</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>3 Ways to Capture the Audience&#8217;s Attention</title>
		<link>https://www.nycastings.com/3-ways-to-capture-the-audiences-attention/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=3-ways-to-capture-the-audiences-attention</link>
		<comments>https://www.nycastings.com/3-ways-to-capture-the-audiences-attention/#comments</comments>
		<pubDate>Mon, 12 Dec 2022 20:43:55 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audience attention]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Audra Lindley]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[Dagmara Dominczyk]]></category>
		<category><![CDATA[Dakota Johnson]]></category>
		<category><![CDATA[Desi Arnaz]]></category>
		<category><![CDATA[Don Knotts]]></category>
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		<category><![CDATA[equity]]></category>
		<category><![CDATA[Helena Bonham Carter]]></category>
		<category><![CDATA[Holt McCallany]]></category>
		<category><![CDATA[how to captivate an audience]]></category>
		<category><![CDATA[I Love Lucy]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jared Leto]]></category>
		<category><![CDATA[John Ritter]]></category>
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		<category><![CDATA[Zach Grenier]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23542</guid>
		<description><![CDATA[<p>Capturing the audience’s attention is a challenge all actors face. Whether it’s delivering a monologue, performing a scene, or even telling an anecdote on stage, the actor must be able to keep the attention of their audience. A captivating performance starts with an actor’s ability to connect with those watching and make an impression that [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/3-ways-to-capture-the-audiences-attention/">3 Ways to Capture the Audience&#8217;s Attention</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Body Language and Auditions: How to Book Before you Say a Single Line</title>
		<link>https://www.nycastings.com/body-language-and-auditions-how-to-book-before-you-say-a-single-line/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=body-language-and-auditions-how-to-book-before-you-say-a-single-line</link>
		<comments>https://www.nycastings.com/body-language-and-auditions-how-to-book-before-you-say-a-single-line/#comments</comments>
		<pubDate>Mon, 29 Jul 2019 14:38:38 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Movment]]></category>
		<category><![CDATA[On-Camera]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16180</guid>
		<description><![CDATA[<p>&#8220;Fie, fie upon her! There&#8217;s language in her eye, her cheek, her lip,  Nay, her foot speaks; her wanton spirits look out  At every joint and motive of her body.&#8221; &#8212; William Shakespeare There is of course no one who could put the facts about body language more artfully than the Bard. But one thing [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/body-language-and-auditions-how-to-book-before-you-say-a-single-line/">Body Language and Auditions: How to Book Before you Say a Single Line</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Body English: How You Can Use Body Language to Your Advantage</title>
		<link>https://www.nycastings.com/body-english-how-you-can-use-body-language-to-your-advantage/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=body-english-how-you-can-use-body-language-to-your-advantage</link>
		<comments>https://www.nycastings.com/body-english-how-you-can-use-body-language-to-your-advantage/#comments</comments>
		<pubDate>Fri, 04 Aug 2017 17:42:33 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[characters]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10335</guid>
		<description><![CDATA[<p>The term body language is one that gets thrown around a lot in the context of acting. And while we all probably have a pretty good general idea of what the phrase means, perhaps it&#8217;s a good idea to take a closer look at it and think more carefully about how we can use our [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/body-english-how-you-can-use-body-language-to-your-advantage/">Body English: How You Can Use Body Language to Your Advantage</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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