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	<title>NYCastings - DirectSubmit &#187; film production</title>
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	<link>https://www.nycastings.com</link>
	<description>Casting Tools for Casting Directors and On-Camera Talent</description>
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		<title>The Talent Release Form Explained</title>
		<link>https://www.nycastings.com/the-talent-release-form-explained/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-talent-release-form-explained</link>
		<comments>https://www.nycastings.com/the-talent-release-form-explained/#comments</comments>
		<pubDate>Wed, 19 Jun 2024 20:37:12 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[actor compensation]]></category>
		<category><![CDATA[actor performance rights]]></category>
		<category><![CDATA[actor release form]]></category>
		<category><![CDATA[actor rights]]></category>
		<category><![CDATA[compensation for actors]]></category>
		<category><![CDATA[entertainment industry contracts]]></category>
		<category><![CDATA[film industry legal documents]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[filmmaker guide]]></category>
		<category><![CDATA[grant of rights]]></category>
		<category><![CDATA[legal agreements for actors]]></category>
		<category><![CDATA[navigating release forms]]></category>
		<category><![CDATA[talent release forms]]></category>
		<category><![CDATA[understanding talent release forms]]></category>
		<category><![CDATA[usage rights]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25310</guid>
		<description><![CDATA[<p>Talent release forms are a legal document used in film production that grants permission from the actor (talent) to the production company to use their image, voice, and performance in the film. This form is essential to protect both the production company and the actor, ensuring that the usage of the actor&#8217;s performance is clearly defined [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-talent-release-form-explained/">The Talent Release Form Explained</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Crafting Scenes with Words: A Guide to Director-Actor Communication</title>
		<link>https://www.nycastings.com/crafting-scenes-with-words-a-guide-to-director-actor-communication/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=crafting-scenes-with-words-a-guide-to-director-actor-communication</link>
		<comments>https://www.nycastings.com/crafting-scenes-with-words-a-guide-to-director-actor-communication/#comments</comments>
		<pubDate>Tue, 16 Jan 2024 19:59:11 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Actor-Director Dialogue]]></category>
		<category><![CDATA[Artistic Expression in Cinema]]></category>
		<category><![CDATA[Behind-the-Scenes Insights]]></category>
		<category><![CDATA[cinematic storytelling]]></category>
		<category><![CDATA[Creative Filmmaking]]></category>
		<category><![CDATA[Directing Skills]]></category>
		<category><![CDATA[Director-Actor Communication]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[Movie Set Dynamics]]></category>
		<category><![CDATA[On-Set Collaboration]]></category>
		<category><![CDATA[performance art]]></category>
		<category><![CDATA[Stage and Screen Interaction]]></category>
		<category><![CDATA[The Language of Film]]></category>
		<category><![CDATA[Theatrical Performance]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24980</guid>
		<description><![CDATA[<p>Effective communication between a director and actors is an essential cornerstone of theatrical and cinematic art. This dynamic interplay not only shapes the portrayal of characters and the narrative arc of the production but also fosters a collaborative environment where creativity can flourish. Directors use specific terminology to convey their vision, provide guidance, and evoke [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/crafting-scenes-with-words-a-guide-to-director-actor-communication/">Crafting Scenes with Words: A Guide to Director-Actor Communication</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>The SAG-AFTRA Micro-Budget Project Agreement</title>
		<link>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-sag-aftra-micro-budget-project-agreement</link>
		<comments>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/#comments</comments>
		<pubDate>Sun, 12 Nov 2023 19:17:43 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting choices]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film budgeting]]></category>
		<category><![CDATA[film crew hiring]]></category>
		<category><![CDATA[film distribution]]></category>
		<category><![CDATA[film industry standards]]></category>
		<category><![CDATA[film marketability]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film project guidelines]]></category>
		<category><![CDATA[film project planning]]></category>
		<category><![CDATA[film talent acquisition]]></category>
		<category><![CDATA[filmmaking options]]></category>
		<category><![CDATA[getting your script made]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[indie film production]]></category>
		<category><![CDATA[low-budget film]]></category>
		<category><![CDATA[movie industry]]></category>
		<category><![CDATA[movie project decisions]]></category>
		<category><![CDATA[movie script]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[non-union project flexibility]]></category>
		<category><![CDATA[non-union vs union]]></category>
		<category><![CDATA[professional actors]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story live]]></category>
		<category><![CDATA[storyline]]></category>
		<category><![CDATA[student films]]></category>
		<category><![CDATA[union]]></category>
		<category><![CDATA[union benefits in filmmaking]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24781</guid>
		<description><![CDATA[<p>Deciding whether to make your film project non-union or union is a pivotal choice that can significantly impact the scope, budget, and potential reach of your production. Opting for a non-union route often provides more flexibility in terms of budget constraints and casting options, potentially making it suitable for independent or smaller-scale projects. Conversely, going [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/">The SAG-AFTRA Micro-Budget Project Agreement</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>What&#8217;s a 2nd Assistant Director?</title>
		<link>https://www.nycastings.com/whats-a-2nd-assistant-director/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=whats-a-2nd-assistant-director</link>
		<comments>https://www.nycastings.com/whats-a-2nd-assistant-director/#comments</comments>
		<pubDate>Fri, 17 Apr 2020 16:20:46 +0000</pubDate>
		<dc:creator><![CDATA[Amber Sherman]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[2nd AD]]></category>
		<category><![CDATA[2nd Assistant Director]]></category>
		<category><![CDATA[Amber M Sherman]]></category>
		<category><![CDATA[Assistant Director]]></category>
		<category><![CDATA[Beyond Film School]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[NY Film Film Production]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=19086</guid>
		<description><![CDATA[<p>We&#8217;re talking about the 2nd AD now! This is the second video in the Assistant Director Series. Tip me ya&#8217;ll! Do You want to thank me for anything? Just buy me a coffee! Keep me caffeinated while I make you more videos! http://bit.ly/SayThanksBuyMeACoffee &#8211; CashApp: $beyondfilmschool  Any questions about Film ask away!! Anything you want me [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/whats-a-2nd-assistant-director/">What&#8217;s a 2nd Assistant Director?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How and Why to Create Your Own Opportunities in FILM!</title>
		<link>https://www.nycastings.com/how-and-why-to-create-your-own-opportunities-in-film/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-and-why-to-create-your-own-opportunities-in-film</link>
		<comments>https://www.nycastings.com/how-and-why-to-create-your-own-opportunities-in-film/#comments</comments>
		<pubDate>Mon, 13 Apr 2020 18:29:29 +0000</pubDate>
		<dc:creator><![CDATA[Amber Sherman]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[Film Business]]></category>
		<category><![CDATA[film production]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=18890</guid>
		<description><![CDATA[<p>You can only wait around for opportunities in film for so long! Get out there and create your own stuff. Equipment I use: Canon Rebel T4i &#8211; https://amzn.to/2MGXksm Boom Rode Mic &#8211; https://amzn.to/2N9rq7g GVM Led Bi-Color Video Light: https://amzn.to/2IVCG4z Do you want to thank me for anything? Just buy me a coffee! Keep me caffeinated [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-and-why-to-create-your-own-opportunities-in-film/">How and Why to Create Your Own Opportunities in FILM!</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>What&#8217;s a 1st Assistant Director?</title>
		<link>https://www.nycastings.com/whats-a-1st-assistant-director/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=whats-a-1st-assistant-director</link>
		<comments>https://www.nycastings.com/whats-a-1st-assistant-director/#comments</comments>
		<pubDate>Mon, 13 Apr 2020 17:57:27 +0000</pubDate>
		<dc:creator><![CDATA[Amber Sherman]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[1st Assistant Director]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[film production]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=18884</guid>
		<description><![CDATA[<p>So, let&#8217;s talk about the 1st Assistant Director, what they do, their responsibilities, and what are some characteristics/skills they should have. Equipment I use: Canon Rebel T4i &#8211; https://amzn.to/2MGXksm Boom Rode Mic &#8211; https://amzn.to/2N9rq7g GVM Led Bi-Color Video Light: https://amzn.to/2IVCG4z Any questions about Film ask away!! Anything you want me to cover? Let me know!! [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/whats-a-1st-assistant-director/">What&#8217;s a 1st Assistant Director?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>POINT OF NO RETURN &#8211; Screenplay writer Dianne St. George takes us on her determined journey</title>
		<link>https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2</link>
		<comments>https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/#comments</comments>
		<pubDate>Mon, 11 Oct 2010 10:07:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[DGA]]></category>
		<category><![CDATA[dianne st. george]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[getting your script made]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[movie script]]></category>
		<category><![CDATA[published]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[story live]]></category>
		<category><![CDATA[storyline]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/</guid>
		<description><![CDATA[<p>You THINK you&#8217;ve heard this story&#8230; Page 5: A writer decides to create a screenplay about &#8220;what she knows.&#8221; Page 15: A friend offers up inspiring advice that gets this writer going. Page 30: The point of no return &#8211; Woman vows to finish the script, no matter what! Page 90: Violins signal tough times [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/">POINT OF NO RETURN &#8211; Screenplay writer Dianne St. George takes us on her determined journey</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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