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	<title>NYCastings - DirectSubmit &#187; Overacting</title>
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		<title>Acting is Reacting &#8211; A Guide for Actors</title>
		<link>https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=acting-is-reacting-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 29 Jul 2024 20:06:58 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting is reacting]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[action scenes]]></category>
		<category><![CDATA[active listening]]></category>
		<category><![CDATA[actor's connection]]></category>
		<category><![CDATA[actor's guide]]></category>
		<category><![CDATA[anticipation in acting]]></category>
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		<category><![CDATA[authenticity in acting]]></category>
		<category><![CDATA[body language in acting]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Bryan Cranston]]></category>
		<category><![CDATA[building tension]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[comedy acting]]></category>
		<category><![CDATA[dramatic scenes]]></category>
		<category><![CDATA[emotional depth in acting]]></category>
		<category><![CDATA[emotional recall]]></category>
		<category><![CDATA[empathy in acting]]></category>
		<category><![CDATA[engagement in acting]]></category>
		<category><![CDATA[improvisation exercises]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[mimicry in acting]]></category>
		<category><![CDATA[observation in acting]]></category>
		<category><![CDATA[On the Waterfront]]></category>
		<category><![CDATA[Overacting]]></category>
		<category><![CDATA[Performance Authenticity]]></category>
		<category><![CDATA[practical acting exercises]]></category>
		<category><![CDATA[reacting]]></category>
		<category><![CDATA[reaction speed drills]]></category>
		<category><![CDATA[Scene Study]]></category>
		<category><![CDATA[Sophie’s Choice]]></category>
		<category><![CDATA[spontaneity in acting]]></category>
		<category><![CDATA[staying present]]></category>
		<category><![CDATA[vulnerability in acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25414</guid>
		<description><![CDATA[<p>Acting is often described as the art of living truthfully under imaginary terms. One of the most fundamental aspects of this is the concept that &#8220;acting is reacting.&#8221; This means that authentic performance comes from genuine responses to the stimuli provided by the other actors and the environment within a scene. Let&#8217;s explain what this [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/">Acting is Reacting &#8211; A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<item>
		<title>Conquering Weaknesses, Celebrating Strengths: A Guide for Aspiring Actors Part I</title>
		<link>https://www.nycastings.com/conquering-weaknesses-celebrating-strengths-a-guide-for-aspiring-actors-part-i/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=conquering-weaknesses-celebrating-strengths-a-guide-for-aspiring-actors-part-i</link>
		<comments>https://www.nycastings.com/conquering-weaknesses-celebrating-strengths-a-guide-for-aspiring-actors-part-i/#comments</comments>
		<pubDate>Tue, 11 Apr 2023 19:16:42 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Aaron Sorkin]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actor strengths]]></category>
		<category><![CDATA[actor weaknesses]]></category>
		<category><![CDATA[Actress]]></category>
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		<category><![CDATA[Annette Bening]]></category>
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		<category><![CDATA[Difficulty with Memorization]]></category>
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		<category><![CDATA[equity]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[In Living Color]]></category>
		<category><![CDATA[Inability to Take Direction]]></category>
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		<category><![CDATA[Martin Sheen]]></category>
		<category><![CDATA[Michael Douglas]]></category>
		<category><![CDATA[Michael J. Fox]]></category>
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		<category><![CDATA[Nervousness and Anxiety]]></category>
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		<category><![CDATA[Overacting]]></category>
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		<category><![CDATA[Versatility]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24068</guid>
		<description><![CDATA[<p>To be a successful actor, it&#8217;s a must to have a clear understanding of your strengths and weaknesses. Knowing your strengths will help you to showcase your talents and stand out in auditions and performances, while being aware of your weaknesses will enable you to identify areas for improvement and focus on developing your skills. [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/conquering-weaknesses-celebrating-strengths-a-guide-for-aspiring-actors-part-i/">Conquering Weaknesses, Celebrating Strengths: A Guide for Aspiring Actors Part I</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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