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	<title>NYCastings - DirectSubmit &#187; physicality</title>
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		<title>Acting Across Mediums: Theatre, Film, and Television</title>
		<link>https://www.nycastings.com/acting-across-mediums-theatre-film-and-television/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=acting-across-mediums-theatre-film-and-television</link>
		<comments>https://www.nycastings.com/acting-across-mediums-theatre-film-and-television/#comments</comments>
		<pubDate>Sun, 12 May 2024 17:10:21 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=25282</guid>
		<description><![CDATA[<p>Acting is a craft that spans various mediums, each offering unique opportunities and challenges The three primary mediums where actors showcase their talent are theatre, film, and television. While the nature of acting remains the same, the techniques and career strategies differ significantly across these platforms. Let&#8217;s do a comparative analysis, highlighting the unique struggles [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/acting-across-mediums-theatre-film-and-television/">Acting Across Mediums: Theatre, Film, and Television</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Embodying the Non-Human Character</title>
		<link>https://www.nycastings.com/embodying-the-non-human-character/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=embodying-the-non-human-character</link>
		<comments>https://www.nycastings.com/embodying-the-non-human-character/#comments</comments>
		<pubDate>Fri, 23 Feb 2024 19:57:58 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
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		<category><![CDATA[physical transformation]]></category>
		<category><![CDATA[physicality]]></category>
		<category><![CDATA[Planet of the Apes]]></category>
		<category><![CDATA[puppetry]]></category>
		<category><![CDATA[Rogue One: A Star Wars Story]]></category>
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		<category><![CDATA[star trek]]></category>
		<category><![CDATA[Suspension of Disbelief]]></category>
		<category><![CDATA[The Hobbit]]></category>
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		<category><![CDATA[Zoe Saldana]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25040</guid>
		<description><![CDATA[<p>Are there unique challenges actors face when portraying non-human characters, such as animals and mythical creatures? You bet there are! This kind of work also involves a range of techniques carried out behind the scenes. And oh! There are also characters who are literally AI (artificial intelligence)! (For a quick peak at an actress portraying [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/embodying-the-non-human-character/">Embodying the Non-Human Character</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>The Art of Cold Reading for Actors: Tips and Tricks</title>
		<link>https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-art-of-cold-reading-for-actors-tips-and-tricks</link>
		<comments>https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/#comments</comments>
		<pubDate>Mon, 25 Sep 2023 19:53:32 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[character]]></category>
		<category><![CDATA[cold reading]]></category>
		<category><![CDATA[Confidence]]></category>
		<category><![CDATA[connect]]></category>
		<category><![CDATA[context clues]]></category>
		<category><![CDATA[emotional undercurrents]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[essence]]></category>
		<category><![CDATA[first impressions]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improvisation]]></category>
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		<category><![CDATA[physicality]]></category>
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		<category><![CDATA[scene]]></category>
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		<category><![CDATA[The Art of Cold Reading for Actors Tips and Tricks]]></category>
		<category><![CDATA[transformative]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=24645</guid>
		<description><![CDATA[<p>Cold reading is the art of delivering a performance with minimal preparation, often reading directly from a script without having had the opportunity to study it in advance. For actors, mastering this skill can make auditions a breeze, impress casting directors, and even open up opportunities for live performances or improvisation. The ability to cold [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/">The Art of Cold Reading for Actors: Tips and Tricks</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Virtual Reality Acting &#8211; Embracing the VR Frontier</title>
		<link>https://www.nycastings.com/virtual-reality-acting-embracing-the-vr-frontier/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=virtual-reality-acting-embracing-the-vr-frontier</link>
		<comments>https://www.nycastings.com/virtual-reality-acting-embracing-the-vr-frontier/#comments</comments>
		<pubDate>Tue, 15 Aug 2023 17:01:42 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[Adaptability]]></category>
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		<category><![CDATA[Audience]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[blurred boundaries]]></category>
		<category><![CDATA[branching narratives]]></category>
		<category><![CDATA[digital age]]></category>
		<category><![CDATA[digital environment]]></category>
		<category><![CDATA[emotional connectivity]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[ethical considerations]]></category>
		<category><![CDATA[Evolution]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[gaming]]></category>
		<category><![CDATA[hybrid performances]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[immersive]]></category>
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		<category><![CDATA[method acting]]></category>
		<category><![CDATA[moral considerations]]></category>
		<category><![CDATA[motion capture]]></category>
		<category><![CDATA[narrative-driven]]></category>
		<category><![CDATA[new genres]]></category>
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		<category><![CDATA[physical training]]></category>
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		<category><![CDATA[reality]]></category>
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		<category><![CDATA[technical glitches]]></category>
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		<category><![CDATA[Virtual Reality]]></category>
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		<category><![CDATA[Voice Acting]]></category>
		<category><![CDATA[VR]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24574</guid>
		<description><![CDATA[<p>Virtual Reality (VR) has continued making waves across various sectors – from gaming to education to real estate. As the world steadily shifts from conventional experiences to digital encounters, the realm of acting is not exempt from this transformative tide. For actors, VR presents a new frontier, one where traditional methods merge with the digital, [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/virtual-reality-acting-embracing-the-vr-frontier/">Virtual Reality Acting &#8211; Embracing the VR Frontier</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Exploring the Twelve Viewpoints: A Guide to Using Time and Space in Ensemble-Based Theatre</title>
		<link>https://www.nycastings.com/exploring-the-twelve-viewpoints-a-guide-to-using-time-and-space-in-ensemble-based-theatre/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exploring-the-twelve-viewpoints-a-guide-to-using-time-and-space-in-ensemble-based-theatre</link>
		<comments>https://www.nycastings.com/exploring-the-twelve-viewpoints-a-guide-to-using-time-and-space-in-ensemble-based-theatre/#comments</comments>
		<pubDate>Fri, 14 Apr 2023 19:27:21 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[Augusto Boal Theatre of the Oppressed]]></category>
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		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jerzy Grotowski's Polish Laboratory Theatre]]></category>
		<category><![CDATA[Laban Movement Analysis]]></category>
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		<category><![CDATA[Rae Bell]]></category>
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		<category><![CDATA[Stephanie Courtney]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=24115</guid>
		<description><![CDATA[<p>Dance and acting are two distinct art forms that have been combined in various ways throughout the history of theatre and performance. The combination can create a powerful experience for both performers and audience members, allowing for a deeper exploration of character, emotion and physicality. Whether it&#8217;s through choreographed movement sequences, physical character work or [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/exploring-the-twelve-viewpoints-a-guide-to-using-time-and-space-in-ensemble-based-theatre/">Exploring the Twelve Viewpoints: A Guide to Using Time and Space in Ensemble-Based Theatre</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Unraveling the Character: A Guide to Making Informed Choices for Actors</title>
		<link>https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unraveling-the-character-a-guide-to-making-informed-choices-for-actors</link>
		<comments>https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/#comments</comments>
		<pubDate>Thu, 06 Apr 2023 19:39:08 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[backstory]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Charlize Theron]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[Heath Ledger]]></category>
		<category><![CDATA[Jared Leto]]></category>
		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Motivation]]></category>
		<category><![CDATA[physicality]]></category>
		<category><![CDATA[Relationships]]></category>
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		<category><![CDATA[vocal quality]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24038</guid>
		<description><![CDATA[<p>As an actor, your ability to create a rich, layered character that resonates with audiences is paramount to your craft. When handed a new script, the choices you make will shape the character you bring to life. In this article, we&#8217;ll discuss a detailed approach to making informed character choices, helping you to develop a [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/">Unraveling the Character: A Guide to Making Informed Choices for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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