<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>NYCastings - DirectSubmit &#187; Saturday night Live</title>
	<atom:link href="https://www.nycastings.com/tag/saturday-night-live/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.nycastings.com</link>
	<description>Casting Tools for Casting Directors and On-Camera Talent</description>
	<lastBuildDate>Tue, 18 Feb 2025 20:20:48 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=4.2.2</generator>
	<item>
		<title>Producers and Directors &#8211; Decoding Roles in Film and TV Production</title>
		<link>https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=producers-and-directors-decoding-roles-in-film-and-tv-production</link>
		<comments>https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/#comments</comments>
		<pubDate>Mon, 11 Sep 2023 21:31:09 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Academy Award]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Action]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[Adam Somner]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Assistant Director]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Best Director]]></category>
		<category><![CDATA[Bridge of Spies]]></category>
		<category><![CDATA[Burt 'Skip' Burnam]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[e.t.]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[executive producer]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[grey's anatomy]]></category>
		<category><![CDATA[How To Get Away With Murder]]></category>
		<category><![CDATA[iconic moments]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[innovative cinematography]]></category>
		<category><![CDATA[intense realism]]></category>
		<category><![CDATA[intricate action sequences]]></category>
		<category><![CDATA[Jurassic Park]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Lorne Michaels]]></category>
		<category><![CDATA[Martin Scorses]]></category>
		<category><![CDATA[Master of Suspense]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[North by Northwest]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Point Break]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[psychological complexity]]></category>
		<category><![CDATA[Rear Window]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Saturday night Live]]></category>
		<category><![CDATA[Scandal]]></category>
		<category><![CDATA[Shonda Rhimes]]></category>
		<category><![CDATA[SNL]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Strange Days]]></category>
		<category><![CDATA[suspense genres]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Birds]]></category>
		<category><![CDATA[The Girl with the Dragon Tattoo]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[The Shawshank Redemption]]></category>
		<category><![CDATA[the west wing]]></category>
		<category><![CDATA[thriller]]></category>
		<category><![CDATA[Transformers]]></category>
		<category><![CDATA[Zero Dark Thirty]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24632</guid>
		<description><![CDATA[<p>The film and television industry is known for its complex hierarchy and multitude of roles. Producers and Directors are way up there on the ladder. Before we get into examples, let’s explore the definitions. The Executive Producer (EP) often assumes the role of supreme authority within a television program, while in films, they can act [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/">Producers and Directors &#8211; Decoding Roles in Film and TV Production</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why Every Actor (Even You) Should Take an Improv Class</title>
		<link>https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-every-actor-even-you-should-take-an-improv-class</link>
		<comments>https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/#comments</comments>
		<pubDate>Mon, 24 Oct 2022 20:46:57 +0000</pubDate>
		<dc:creator><![CDATA[Jim Belden]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting class]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Adam McKay]]></category>
		<category><![CDATA[agents]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Casting Notice]]></category>
		<category><![CDATA[Diane Keaton]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Improv Class]]></category>
		<category><![CDATA[improv comedy]]></category>
		<category><![CDATA[Jane Lynch]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[Saturday night Live]]></category>
		<category><![CDATA[Seth Rogen]]></category>
		<category><![CDATA[Tina Fey]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Will Ferrell]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23360</guid>
		<description><![CDATA[<p>There&#8217;s a well-documented history of comedic actors getting their start in improv. This includes SNL alumni like Will Ferrell and Tina Fey, as well as other icons like Jane Lynch. However, improv isn&#8217;t just for people trying to be funny &#8211; it is a great tool for every working actor. Here are 5 reasons why [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/">Why Every Actor (Even You) Should Take an Improv Class</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
