<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>NYCastings - DirectSubmit &#187; Time</title>
	<atom:link href="https://www.nycastings.com/tag/time/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.nycastings.com</link>
	<description>Casting Tools for Casting Directors and On-Camera Talent</description>
	<lastBuildDate>Tue, 18 Feb 2025 20:20:48 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=4.2.2</generator>
	<item>
		<title>5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</title>
		<link>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 15 Apr 2024 17:55:36 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[5 Ways to Cultivate a Versatile Acting Range]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[analytical finesse]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[authentic performance]]></category>
		<category><![CDATA[Authenticity]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[character’s motivation]]></category>
		<category><![CDATA[coach]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[cultural influences]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[discuss]]></category>
		<category><![CDATA[emotional landscape]]></category>
		<category><![CDATA[emotive prowess]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[holistic understanding]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[internal monologue]]></category>
		<category><![CDATA[journaling]]></category>
		<category><![CDATA[mark up]]></category>
		<category><![CDATA[mime]]></category>
		<category><![CDATA[narrative arc]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Objective]]></category>
		<category><![CDATA[open mind]]></category>
		<category><![CDATA[portrayal]]></category>
		<category><![CDATA[psychological landscape]]></category>
		<category><![CDATA[questions]]></category>
		<category><![CDATA[read]]></category>
		<category><![CDATA[rehearsals]]></category>
		<category><![CDATA[relationship]]></category>
		<category><![CDATA[relationship dynamics]]></category>
		<category><![CDATA[reread]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[scene analysis]]></category>
		<category><![CDATA[scene objective]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[setting]]></category>
		<category><![CDATA[silent]]></category>
		<category><![CDATA[silent expression]]></category>
		<category><![CDATA[societal influences]]></category>
		<category><![CDATA[subtext]]></category>
		<category><![CDATA[super-objective]]></category>
		<category><![CDATA[Time]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25228</guid>
		<description><![CDATA[<p>A Guide for Actors Versatility is key. A versatile actor can seamlessly transition between different roles, genres, and mediums, making them invaluable in the industry. But how does one cultivate such a diverse skill set? Here are five ways to develop a versatile acting range: 1. Embrace Continuous Learning At the heart of versatility lies [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/">5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A YEAR WITH FROG AND TOAD &#8211; Unisex Kid &#8211; Dramedy</title>
		<link>https://www.nycastings.com/a-year-with-frog-and-toad-unisex-kid-dramedy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-year-with-frog-and-toad-unisex-kid-dramedy</link>
		<comments>https://www.nycastings.com/a-year-with-frog-and-toad-unisex-kid-dramedy/#comments</comments>
		<pubDate>Tue, 14 Apr 2020 17:06:35 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit Monologue Database]]></dc:creator>
				<category><![CDATA[Kids / Teens - Boys Monologues]]></category>
		<category><![CDATA[Kids / Teens – Girls Monologues]]></category>
		<category><![CDATA[Monologues and Scripts]]></category>
		<category><![CDATA[Musical Monologues]]></category>
		<category><![CDATA[1 Min]]></category>
		<category><![CDATA[a year with frog and toad]]></category>
		<category><![CDATA[broken clock]]></category>
		<category><![CDATA[clock]]></category>
		<category><![CDATA[frog]]></category>
		<category><![CDATA[kid monologue]]></category>
		<category><![CDATA[mail]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[toad]]></category>
		<category><![CDATA[unisex]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=18918</guid>
		<description><![CDATA[<p>A YEAR WITH FROG AND TOAD &#8211; Toad talks about his clock. Dramatic Monologue for Kids. &#62;1 Min. TOAD: What time is it? My clock is broken. (listens for reply of 10:00) Ten o’clock is my sad time of day because ten o’clock is when the mail should come. I have never ever gotten a letter. [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/a-year-with-frog-and-toad-unisex-kid-dramedy/">A YEAR WITH FROG AND TOAD &#8211; Unisex Kid &#8211; Dramedy</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/a-year-with-frog-and-toad-unisex-kid-dramedy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Audition: Controlling What You Can and Letting Go of What You Can’t</title>
		<link>https://www.nycastings.com/the-audition-controlling-what-you-can-and-letting-go-of-what-you-cant/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-audition-controlling-what-you-can-and-letting-go-of-what-you-cant</link>
		<comments>https://www.nycastings.com/the-audition-controlling-what-you-can-and-letting-go-of-what-you-cant/#comments</comments>
		<pubDate>Tue, 26 Sep 2017 18:27:24 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Acting Busniness]]></category>
		<category><![CDATA[attitude]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Headshots]]></category>
		<category><![CDATA[Reader]]></category>
		<category><![CDATA[Running Lines]]></category>
		<category><![CDATA[The Waiting Room]]></category>
		<category><![CDATA[Time]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10713</guid>
		<description><![CDATA[<p>We all love acting. And with good reason: performing can be a beautiful, moving, profound experience of connection with one’s fellow performers and an audience. Of course, in order to get to the performance part of it, you usually have to go through an audition or two. For most actors, the audition is the bit [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-audition-controlling-what-you-can-and-letting-go-of-what-you-cant/">The Audition: Controlling What You Can and Letting Go of What You Can’t</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/the-audition-controlling-what-you-can-and-letting-go-of-what-you-cant/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
