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	<title>NYCastings - DirectSubmit &#187; acting technique</title>
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		<title>Method Acting Demystified &#8211; Pros, Cons and Misconceptions</title>
		<link>https://www.nycastings.com/method-acting-demystified-pros-cons-and-misconceptions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=method-acting-demystified-pros-cons-and-misconceptions</link>
		<comments>https://www.nycastings.com/method-acting-demystified-pros-cons-and-misconceptions/#comments</comments>
		<pubDate>Mon, 18 Dec 2023 22:55:11 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Abraham Lincoln]]></category>
		<category><![CDATA[Academy Award]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Aileen Wuornos]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Black Swan]]></category>
		<category><![CDATA[Boys Don't Cry]]></category>
		<category><![CDATA[Brandon Teena]]></category>
		<category><![CDATA[character connection]]></category>
		<category><![CDATA[Character Study]]></category>
		<category><![CDATA[Charlize Theron]]></category>
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		<category><![CDATA[critical acclaim]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[emotional authenticity]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Fantine]]></category>
		<category><![CDATA[Heath Ledger]]></category>
		<category><![CDATA[Hilary Swank]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[immersive approach]]></category>
		<category><![CDATA[intense training]]></category>
		<category><![CDATA[Jake LaMotta]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[Les Miserables]]></category>
		<category><![CDATA[Lincoln]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[Monster]]></category>
		<category><![CDATA[Natalie Portman]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[personal challenge]]></category>
		<category><![CDATA[physical preparation]]></category>
		<category><![CDATA[professional development]]></category>
		<category><![CDATA[psychological preparation]]></category>
		<category><![CDATA[Raging Bull]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[satisfaction]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[The Dark Knight]]></category>
		<category><![CDATA[transformation]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24857</guid>
		<description><![CDATA[<p>Method acting, a technique that has stirred both admiration and controversy in the acting world, remains a topic of fascination and debate. This acting technique, known for its depth and intensity, has a rich history and an array of famous proponents. However, it also carries with it a basket of misconceptions. History and Evolution Method [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/method-acting-demystified-pros-cons-and-misconceptions/">Method Acting Demystified &#8211; Pros, Cons and Misconceptions</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Creating A Captivating Female Lead In A Feature Film</title>
		<link>https://www.nycastings.com/creating-a-captivating-female-lead-in-a-feature-film/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=creating-a-captivating-female-lead-in-a-feature-film</link>
		<comments>https://www.nycastings.com/creating-a-captivating-female-lead-in-a-feature-film/#comments</comments>
		<pubDate>Thu, 16 Nov 2023 17:48:26 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[audience engagement]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[Audrey Tautou]]></category>
		<category><![CDATA[Carrie Fisher]]></category>
		<category><![CDATA[casting call]]></category>
		<category><![CDATA[character arc]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[Charlize Theron]]></category>
		<category><![CDATA[Cinematic Protagonists]]></category>
		<category><![CDATA[Complex characters]]></category>
		<category><![CDATA[Diverse Representation]]></category>
		<category><![CDATA[Empowering Women]]></category>
		<category><![CDATA[feature film]]></category>
		<category><![CDATA[Female Lead]]></category>
		<category><![CDATA[Film Characterization]]></category>
		<category><![CDATA[film industry]]></category>
		<category><![CDATA[Jennifer Lawrence]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[Julia Roberts]]></category>
		<category><![CDATA[Keira Knightley]]></category>
		<category><![CDATA[Linda Hamilton]]></category>
		<category><![CDATA[Ming-Na Wen]]></category>
		<category><![CDATA[Narrative Growth]]></category>
		<category><![CDATA[Protagonists]]></category>
		<category><![CDATA[representation]]></category>
		<category><![CDATA[Sigourney Weaver]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Strong Female Roles]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24772</guid>
		<description><![CDATA[<p>Creating a captivating female lead in a feature film is an intricate and nuanced process that demands a deep understanding of character development, storytelling, and representation. The key to success lies in crafting a female protagonist who is not only relatable and engaging but also resonates with audiences on a deeper, more meaningful level. In [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/creating-a-captivating-female-lead-in-a-feature-film/">Creating A Captivating Female Lead In A Feature Film</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>What Makes A Captivating Male Lead In A Feature Film</title>
		<link>https://www.nycastings.com/what-makes-a-captivating-male-lead-in-a-feature-film/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what-makes-a-captivating-male-lead-in-a-feature-film</link>
		<comments>https://www.nycastings.com/what-makes-a-captivating-male-lead-in-a-feature-film/#comments</comments>
		<pubDate>Tue, 14 Nov 2023 17:17:13 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[captivating male lead]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[Chadwick Boseman]]></category>
		<category><![CDATA[character arc]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[cinematic storytelling]]></category>
		<category><![CDATA[complexity]]></category>
		<category><![CDATA[conflict resolution]]></category>
		<category><![CDATA[consistent motivations]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[depth of performance]]></category>
		<category><![CDATA[dynamic relationships]]></category>
		<category><![CDATA[Empathy]]></category>
		<category><![CDATA[Feature Films]]></category>
		<category><![CDATA[flaws and vulnerabilities]]></category>
		<category><![CDATA[Humphrey Bogart]]></category>
		<category><![CDATA[impactful presence]]></category>
		<category><![CDATA[Male Lead]]></category>
		<category><![CDATA[memorable traits]]></category>
		<category><![CDATA[narrative engagement]]></category>
		<category><![CDATA[overcoming adversity]]></category>
		<category><![CDATA[realistic reactions]]></category>
		<category><![CDATA[relatability]]></category>
		<category><![CDATA[right actor]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Robert Downey Jr.]]></category>
		<category><![CDATA[Tim Robbins]]></category>
		<category><![CDATA[Tom Hanks]]></category>
		<category><![CDATA[universal themes]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24764</guid>
		<description><![CDATA[<p>Creating a captivating male lead in a feature film is an art that combines character development, actor performance, and narrative engagement. As an expert in cinematic storytelling, here are key elements to consider when crafting a great male lead: 1. Multidimensional Characterization Complexity: A great male lead should be more than a one-dimensional character. He [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/what-makes-a-captivating-male-lead-in-a-feature-film/">What Makes A Captivating Male Lead In A Feature Film</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>How to Expertly Convey Negative Emotions Via Body Language</title>
		<link>https://www.nycastings.com/how-to-expertly-convey-negative-emotions-via-body-language/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-expertly-convey-negative-emotions-via-body-language</link>
		<comments>https://www.nycastings.com/how-to-expertly-convey-negative-emotions-via-body-language/#comments</comments>
		<pubDate>Thu, 12 Jan 2023 17:47:22 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[avoiding eye contact]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[eye contact]]></category>
		<category><![CDATA[Gene Wilder]]></category>
		<category><![CDATA[Heat]]></category>
		<category><![CDATA[How to Expertly Convey Negative Emotions Via Body Language]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improv]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[invading someone's personal space]]></category>
		<category><![CDATA[Marty Feldman]]></category>
		<category><![CDATA[Mel Brooks]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[uncomfortable situation]]></category>
		<category><![CDATA[Young Frankenstein]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23634</guid>
		<description><![CDATA[<p>This article delves deeper into body language, particularly, the negative kind. It&#8217;s a follow-up to our previous article Too Much Body Language can Destroy Your Performance. Be sure to check it out if you missed it because there are some great examples you can learn from. Body language is an essential tool of communication, and one [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-expertly-convey-negative-emotions-via-body-language/">How to Expertly Convey Negative Emotions Via Body Language</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What is Method Acting?</title>
		<link>https://www.nycastings.com/what-is-method-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what-is-method-acting</link>
		<comments>https://www.nycastings.com/what-is-method-acting/#comments</comments>
		<pubDate>Fri, 06 Jan 2023 21:29:31 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Brad Pitt]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[halle berry]]></category>
		<category><![CDATA[John Rosenfeld Studios]]></category>
		<category><![CDATA[Lee Strasberg]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[portrayal of a character]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Stella Adler]]></category>
		<category><![CDATA[The Actors Studio]]></category>
		<category><![CDATA[The Ivana Chubbuck Studio]]></category>
		<category><![CDATA[The Lee Strasberg Theatre and Film Institute]]></category>
		<category><![CDATA[The Stella Adler Studio of Acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23595</guid>
		<description><![CDATA[<p>Method acting is a technique used by actors to help them fully embody the character they are playing. It involves using personal experiences and emotions to bring authenticity and depth to the character&#8217;s portrayal on stage or screen. Method actors may also use improvisation, sense memory exercises, and other techniques to help them connect with [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/what-is-method-acting/">What is Method Acting?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Why Every Actor (Even You) Should Take an Improv Class</title>
		<link>https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-every-actor-even-you-should-take-an-improv-class</link>
		<comments>https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/#comments</comments>
		<pubDate>Mon, 24 Oct 2022 20:46:57 +0000</pubDate>
		<dc:creator><![CDATA[Jim Belden]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting class]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Adam McKay]]></category>
		<category><![CDATA[agents]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Casting Notice]]></category>
		<category><![CDATA[Diane Keaton]]></category>
		<category><![CDATA[Elaine May]]></category>
		<category><![CDATA[Improv Class]]></category>
		<category><![CDATA[improv comedy]]></category>
		<category><![CDATA[Jane Lynch]]></category>
		<category><![CDATA[Jordan Peele]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[Saturday night Live]]></category>
		<category><![CDATA[Seth Rogen]]></category>
		<category><![CDATA[Tina Fey]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Will Ferrell]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23360</guid>
		<description><![CDATA[<p>There&#8217;s a well-documented history of comedic actors getting their start in improv. This includes SNL alumni like Will Ferrell and Tina Fey, as well as other icons like Jane Lynch. However, improv isn&#8217;t just for people trying to be funny &#8211; it is a great tool for every working actor. Here are 5 reasons why [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/why-every-actor-even-you-should-take-an-improv-class/">Why Every Actor (Even You) Should Take an Improv Class</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Surviving Show Business W/ Guest Michelle Danner</title>
		<link>https://www.nycastings.com/surviving-show-business-w-guest-michelle-danner/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=surviving-show-business-w-guest-michelle-danner</link>
		<comments>https://www.nycastings.com/surviving-show-business-w-guest-michelle-danner/#comments</comments>
		<pubDate>Thu, 07 Apr 2022 22:37:40 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[acting coach]]></category>
		<category><![CDATA[acting teacher]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Brian McKnight]]></category>
		<category><![CDATA[Catherine Bell]]></category>
		<category><![CDATA[Chris Martin]]></category>
		<category><![CDATA[chris rock]]></category>
		<category><![CDATA[Christian Slater]]></category>
		<category><![CDATA[Common]]></category>
		<category><![CDATA[Gabrielle Union]]></category>
		<category><![CDATA[Gerard Butler]]></category>
		<category><![CDATA[Grant Bowler]]></category>
		<category><![CDATA[Henry Cavill]]></category>
		<category><![CDATA[Isla Fisher]]></category>
		<category><![CDATA[James Franco]]></category>
		<category><![CDATA[Jamie Lynn Sigler]]></category>
		<category><![CDATA[Jennifer Coolidge]]></category>
		<category><![CDATA[Justin Chatwin]]></category>
		<category><![CDATA[Justine Wadell]]></category>
		<category><![CDATA[Kate Del Castillo]]></category>
		<category><![CDATA[Marcia Cross]]></category>
		<category><![CDATA[Melanie Brown]]></category>
		<category><![CDATA[Michael Pena]]></category>
		<category><![CDATA[Michelle Rodriguez]]></category>
		<category><![CDATA[Penelope Cruz]]></category>
		<category><![CDATA[Rick Fox]]></category>
		<category><![CDATA[Rob Estes]]></category>
		<category><![CDATA[Salma Hayek]]></category>
		<category><![CDATA[Seth Macfarlane]]></category>
		<category><![CDATA[Surviving Show business]]></category>
		<category><![CDATA[Verne Troyer]]></category>
		<category><![CDATA[Zooey Deschanel]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=22624</guid>
		<description><![CDATA[<p>In this episode of Surviving Show business we talk to acting teacher, Michelle Danner about how to train for an acting career, popular acting techniques, how to find acting jobs, how to find and agent and how to get started in LA. Michelle Danner is a world renowned acting coach, film and stage director, author, [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/surviving-show-business-w-guest-michelle-danner/">Surviving Show Business W/ Guest Michelle Danner</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Why Study Acting?</title>
		<link>https://www.nycastings.com/why-study-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-study-acting</link>
		<comments>https://www.nycastings.com/why-study-acting/#comments</comments>
		<pubDate>Wed, 18 Dec 2019 18:48:55 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting classes]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Study Acting]]></category>
		<category><![CDATA[Why Study Acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=17527</guid>
		<description><![CDATA[<p>“The only true wisdom is knowing you know nothing.” – Socrates “You know nothing, Jon Snow.” – Ygritte, Game of Thrones “I know.” – Jon Snow, Game of Thrones Did you ever have one of those friends, or a co-worker, or a cousin, who always claims to know all about whatever topic comes up no [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/why-study-acting/">Why Study Acting?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Acting Terms to know for Aspiring Actors</title>
		<link>https://www.nycastings.com/acting-terms-to-know-for-aspiring-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=acting-terms-to-know-for-aspiring-actors</link>
		<comments>https://www.nycastings.com/acting-terms-to-know-for-aspiring-actors/#comments</comments>
		<pubDate>Sun, 27 Oct 2019 16:38:56 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[acting terms]]></category>
		<category><![CDATA[aspiring actors]]></category>
		<category><![CDATA[AUDITION AND REHEARSAL TERMS]]></category>
		<category><![CDATA[Film Terminology]]></category>
		<category><![CDATA[SCRIPT TERMS]]></category>
		<category><![CDATA[STAGE DIRECTION TERMS]]></category>
		<category><![CDATA[TECHNICAL THEATRE TERMS]]></category>
		<category><![CDATA[THEATRE PEOPLE TERMS]]></category>
		<category><![CDATA[theatre terminology]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16964</guid>
		<description><![CDATA[<p>Acting Terms to know for Aspiring Actors. Knowing the terminology used by professional actors will help you understand what being a professional actor is all about. ARTICULATION: The clarity with which you speak. To speak with proper articulation is to speak clearly, pronouncing letters and words properly so the audience can understand you. BLOCKING: An actor&#8217;s [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/acting-terms-to-know-for-aspiring-actors/">Acting Terms to know for Aspiring Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Be a Cold-Blooded Killer: Bringing Your A-Game to the Cold Read</title>
		<link>https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read</link>
		<comments>https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/#comments</comments>
		<pubDate>Fri, 06 Sep 2019 16:57:02 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Adapting]]></category>
		<category><![CDATA[audition technique]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[Bob Odenkirk]]></category>
		<category><![CDATA[Booking Roles]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Cold Read Auditions]]></category>
		<category><![CDATA[commercial casting]]></category>
		<category><![CDATA[Memorization Skills]]></category>
		<category><![CDATA[Monologues]]></category>
		<category><![CDATA[on-camera audition classes]]></category>
		<category><![CDATA[Scene Study]]></category>
		<category><![CDATA[scenes]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16508</guid>
		<description><![CDATA[<p>As actors we spend a lot of time obsessing about auditions – with good reason, of course. We are in the only profession that I know of that requires workers to go to job interview after job interview for much of their career. No sooner do you get hired for one job before you&#8217;re off [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/">Be a Cold-Blooded Killer: Bringing Your A-Game to the Cold Read</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Expressions: What Your Face Tells The Audience</title>
		<link>https://www.nycastings.com/expressions-what-your-face-tells-the-audience/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=expressions-what-your-face-tells-the-audience</link>
		<comments>https://www.nycastings.com/expressions-what-your-face-tells-the-audience/#comments</comments>
		<pubDate>Thu, 15 Aug 2019 18:17:48 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Assessment]]></category>
		<category><![CDATA[Chuck Jones]]></category>
		<category><![CDATA[D.W. Griffith]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Emotions]]></category>
		<category><![CDATA[Facial Expression]]></category>
		<category><![CDATA[RBF]]></category>
		<category><![CDATA[Richelle E. Goodrich]]></category>
		<category><![CDATA[The close-up]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16221</guid>
		<description><![CDATA[<p>“The close-up, according to D.W. Griffith, allows subtle changes of facial expression – the raising of an eyebrow or the flicker of a smile – to become part of the action.”  – Chuck Jones “Few realize how loud their expressions really are. Be kind with what you wordlessly say.”  – author Richelle E. Goodrich  I&#8217;ve [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/expressions-what-your-face-tells-the-audience/">Expressions: What Your Face Tells The Audience</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>7 Major Acting Techniques Explained</title>
		<link>https://www.nycastings.com/7-major-acting-techniques-explained/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=7-major-acting-techniques-explained</link>
		<comments>https://www.nycastings.com/7-major-acting-techniques-explained/#comments</comments>
		<pubDate>Tue, 13 Aug 2019 20:00:13 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Classical acting]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[Michael Chekhov]]></category>
		<category><![CDATA[Practical Aesthetics]]></category>
		<category><![CDATA[Stanislavski's method]]></category>
		<category><![CDATA[Stanislavski's system]]></category>
		<category><![CDATA[The Brechtian Method]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16203</guid>
		<description><![CDATA[<p>The following is a partial list of major acting techniques explained. Classical acting is an umbrella term for a philosophy of acting that integrates the expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis. It is based on the theories and systems of select classical actors and directors including Konstantin Stanislavski [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/7-major-acting-techniques-explained/">7 Major Acting Techniques Explained</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>How Doing Stand-Up Comedy Can Fuel Your Acting Career</title>
		<link>https://www.nycastings.com/how-doing-stand-up-comedy-can-fuel-your-acting-career/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-doing-stand-up-comedy-can-fuel-your-acting-career</link>
		<comments>https://www.nycastings.com/how-doing-stand-up-comedy-can-fuel-your-acting-career/#comments</comments>
		<pubDate>Wed, 03 Jul 2019 15:16:45 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting career]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[comfort zone]]></category>
		<category><![CDATA[improv]]></category>
		<category><![CDATA[stand up comedy]]></category>
		<category><![CDATA[Tough as nails]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16145</guid>
		<description><![CDATA[<p>So an actor walks into a comedy club&#8230; That&#8217;s it, there&#8217;s no joke here, just a thought: when was the last time you deliberately took yourself out of your comfort zone as a performer? Like, REALLY out there?  Most of us talk about pushing ourselves and stretching our internal boundaries as actors, but the truth [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-doing-stand-up-comedy-can-fuel-your-acting-career/">How Doing Stand-Up Comedy Can Fuel Your Acting Career</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Why Improv Class Is The Most Important One You Will Ever Take</title>
		<link>https://www.nycastings.com/why-improv-class-is-the-most-important-one-you-will-ever-take/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-improv-class-is-the-most-important-one-you-will-ever-take</link>
		<comments>https://www.nycastings.com/why-improv-class-is-the-most-important-one-you-will-ever-take/#comments</comments>
		<pubDate>Mon, 17 Jun 2019 15:51:49 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting class]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[being uncomfortable]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[comfort zone]]></category>
		<category><![CDATA[Confidence]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[improv]]></category>
		<category><![CDATA[Improv Class]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16116</guid>
		<description><![CDATA[<p>As dedicated actors, we all know the importance of constantly challenging ourselves. We try new things, delve into art forms we haven&#8217;t previously explored, and of course we&#8217;re always on the lookout for new classes to take. And while no one would challenge the value of taking a scene study class, or a technique class, [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/why-improv-class-is-the-most-important-one-you-will-ever-take/">Why Improv Class Is The Most Important One You Will Ever Take</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>The Importance Of Listening – On-Camera And Off!</title>
		<link>https://www.nycastings.com/the-importance-of-listening-on-camera-and-off/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-importance-of-listening-on-camera-and-off</link>
		<comments>https://www.nycastings.com/the-importance-of-listening-on-camera-and-off/#comments</comments>
		<pubDate>Wed, 05 Jun 2019 15:05:11 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[agents]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting directors]]></category>
		<category><![CDATA[casting notices]]></category>
		<category><![CDATA[Listening]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16049</guid>
		<description><![CDATA[<p>One of the fundamental lessons for newbie actors to learn is of course the importance of listening. Focusing fully on the other person or people in a scene with you and reacting in a genuine way to the energy as well as the words they give you on stage or on camera is the essential [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-importance-of-listening-on-camera-and-off/">The Importance Of Listening – On-Camera And Off!</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Five Tips For Killing It In Your Next Self-Tape Or On-Camera Audition</title>
		<link>https://www.nycastings.com/five-tips-for-killing-it-in-your-next-self-tape-or-on-camera-audition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=five-tips-for-killing-it-in-your-next-self-tape-or-on-camera-audition</link>
		<comments>https://www.nycastings.com/five-tips-for-killing-it-in-your-next-self-tape-or-on-camera-audition/#comments</comments>
		<pubDate>Mon, 04 Jun 2018 19:21:11 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[Casting Notice]]></category>
		<category><![CDATA[Self-Tape]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=13664</guid>
		<description><![CDATA[<p>Let&#8217;s face facts: Being an actor is the best job in the world! Sure, there are challenges to the job, but even with all the hard work, auditions, late nights and early mornings on set, the classes, the memorization and even all the rejection, acting is the most fun you can have without getting arrested. [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/five-tips-for-killing-it-in-your-next-self-tape-or-on-camera-audition/">Five Tips For Killing It In Your Next Self-Tape Or On-Camera Audition</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Let&#8217;s Talk Blocking: The Unspoken Part Of Creating A Scene – Literally</title>
		<link>https://www.nycastings.com/lets-talk-blocking-the-unspoken-part-of-creating-a-scene-literally/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lets-talk-blocking-the-unspoken-part-of-creating-a-scene-literally</link>
		<comments>https://www.nycastings.com/lets-talk-blocking-the-unspoken-part-of-creating-a-scene-literally/#comments</comments>
		<pubDate>Tue, 29 May 2018 16:29:47 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Blocking]]></category>
		<category><![CDATA[Movment]]></category>
		<category><![CDATA[Show Business Terms]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=13645</guid>
		<description><![CDATA[<p>“When I did plays in high school and college, I never remember memorizing my lines&#8230;Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.” &#8211;Greta Gerwig (“Lady Bird”) As actors we talk so much. And so much of our talk is about talking. We talk about [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/lets-talk-blocking-the-unspoken-part-of-creating-a-scene-literally/">Let&#8217;s Talk Blocking: The Unspoken Part Of Creating A Scene – Literally</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>On-Camera: Five Ways To Be Consistent – And Consistently Outstanding</title>
		<link>https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=on-camera-five-ways-to-be-consistent-and-consistently-outstanding</link>
		<comments>https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/#comments</comments>
		<pubDate>Fri, 25 May 2018 14:47:41 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Blocking]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Eye Line]]></category>
		<category><![CDATA[Objective]]></category>
		<category><![CDATA[on-camera acting]]></category>
		<category><![CDATA[Props]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=13641</guid>
		<description><![CDATA[<p>When newer actors get work on films or television shows, there is sometimes a bit of a learning curve when it comes to delivering for the camera, especially doing multiple takes of the same scene. There are so many factors that come into play beyond our simple viewpoint as actors. We&#8217;re usually focused on finding [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/">On-Camera: Five Ways To Be Consistent – And Consistently Outstanding</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Five Acting Techniques to Help You Quickly Get Into Character</title>
		<link>https://www.nycastings.com/five-acting-techniques-to-help-you-quickly-get-into-character/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=five-acting-techniques-to-help-you-quickly-get-into-character</link>
		<comments>https://www.nycastings.com/five-acting-techniques-to-help-you-quickly-get-into-character/#comments</comments>
		<pubDate>Mon, 29 Jan 2018 17:57:26 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[characters]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=12369</guid>
		<description><![CDATA[<p>“There’s nothing like getting yourself into character and seeing a different person. It really wears on your vanity.” &#8211;Elizabeth Moss If you’ve ever gotten to meet a truly great actor just after they have performed a role on stage, you might have been surprised by just how different they are face to face. Of course, [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/five-acting-techniques-to-help-you-quickly-get-into-character/">Five Acting Techniques to Help You Quickly Get Into Character</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Four Tips For Overcoming Audition Nerves</title>
		<link>https://www.nycastings.com/four-tips-for-overcoming-audition-nerves/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=four-tips-for-overcoming-audition-nerves</link>
		<comments>https://www.nycastings.com/four-tips-for-overcoming-audition-nerves/#comments</comments>
		<pubDate>Wed, 17 Jan 2018 17:31:24 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[casting director]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=12307</guid>
		<description><![CDATA[<p>“I remember that Jack Lemmon, who is one of my favorite actors of all time, says that the day he stops being nervous is the day he should leave the business.” &#8211;Kim Basinger Let’s be honest: acting is a very unnatural thing. Whereas most people tend to keep their raw emotions under wraps, or at [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/four-tips-for-overcoming-audition-nerves/">Four Tips For Overcoming Audition Nerves</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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</rss>
