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	<title>NYCastings - DirectSubmit &#187; Emotion</title>
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		<title>Why Acting Is the Most Ridiculous and Fun Profession Out There</title>
		<link>https://www.nycastings.com/why-acting-is-the-most-ridiculous-and-fun-profession-out-there/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-acting-is-the-most-ridiculous-and-fun-profession-out-there</link>
		<comments>https://www.nycastings.com/why-acting-is-the-most-ridiculous-and-fun-profession-out-there/#comments</comments>
		<pubDate>Tue, 18 Apr 2023 22:56:45 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting profession]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[artistic]]></category>
		<category><![CDATA[Audience]]></category>
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		<category><![CDATA[clown]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[costume and makeup]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[emotional range]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[film industry]]></category>
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		<category><![CDATA[Hollywood]]></category>
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		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improv]]></category>
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		<category><![CDATA[method acting]]></category>
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		<category><![CDATA[performance]]></category>
		<category><![CDATA[rehearsal]]></category>
		<category><![CDATA[rehearsal process]]></category>
		<category><![CDATA[ridiculous]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Script analysis]]></category>
		<category><![CDATA[Shakespear]]></category>
		<category><![CDATA[Shakespearean tragedy]]></category>
		<category><![CDATA[stage]]></category>
		<category><![CDATA[stage presence]]></category>
		<category><![CDATA[Superhero]]></category>
		<category><![CDATA[the art of storytelling]]></category>
		<category><![CDATA[the business of acting]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[voice and movement]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24139</guid>
		<description><![CDATA[<p>Acting is one of the most bizarre and ridiculous professions out there. It involves pretending to be someone else for hours on end, all while wearing clothes that someone else picked out for you. It&#8217;s like being a human mannequin, but with a lot more talking and emotion. One of the most important aspects of [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/why-acting-is-the-most-ridiculous-and-fun-profession-out-there/">Why Acting Is the Most Ridiculous and Fun Profession Out There</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>How to Nail Emotions in Acting</title>
		<link>https://www.nycastings.com/how-to-nail-emotions-in-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-nail-emotions-in-acting</link>
		<comments>https://www.nycastings.com/how-to-nail-emotions-in-acting/#comments</comments>
		<pubDate>Fri, 19 Aug 2022 18:52:20 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Aja Naomi King]]></category>
		<category><![CDATA[Alfred Enoch]]></category>
		<category><![CDATA[Anger]]></category>
		<category><![CDATA[Angry]]></category>
		<category><![CDATA[Annalise Keating]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Billy Brown]]></category>
		<category><![CDATA[Charlie Weber]]></category>
		<category><![CDATA[Crying]]></category>
		<category><![CDATA[disbelief]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[How To Get Away With Murder]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jack Falahee]]></category>
		<category><![CDATA[Karla Souza]]></category>
		<category><![CDATA[Liza Weil]]></category>
		<category><![CDATA[Matt McGorry]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[shock]]></category>
		<category><![CDATA[upset]]></category>
		<category><![CDATA[Viola Davis]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=22945</guid>
		<description><![CDATA[<p>When you need to look upset for an acting role or performance, there are a few things you can do to make sure you look convincing. First, it&#8217;s important to know what kind of upset you need to portray. Is it anger? Sadness? Disgust? Once you&#8217;ve identified the emotion, there are a few key facial [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-nail-emotions-in-acting/">How to Nail Emotions in Acting</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>6 Tips on How to Become a Convincing Actor</title>
		<link>https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=6-tips-on-how-to-become-a-convincing-actor</link>
		<comments>https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/#comments</comments>
		<pubDate>Thu, 14 Jul 2022 17:17:40 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
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		<category><![CDATA[audition]]></category>
		<category><![CDATA[background player]]></category>
		<category><![CDATA[backstory]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[how to be a convincing actor]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jack Nicholson]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[pressure]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[self motivation]]></category>
		<category><![CDATA[staying in character]]></category>
		<category><![CDATA[the shining]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=22737</guid>
		<description><![CDATA[<p>You land your first big role and now the pressure to be a convincing actor is high priority. But honestly, the pressure should be on from the moment you decided to become an actor, right? Even if you’re a background player. Now that I think about it, there really shouldn’t be any pressure… you’re just [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/">6 Tips on How to Become a Convincing Actor</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>On-Camera: Five Ways To Be Consistent – And Consistently Outstanding</title>
		<link>https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=on-camera-five-ways-to-be-consistent-and-consistently-outstanding</link>
		<comments>https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/#comments</comments>
		<pubDate>Fri, 25 May 2018 14:47:41 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Blocking]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Eye Line]]></category>
		<category><![CDATA[Objective]]></category>
		<category><![CDATA[on-camera acting]]></category>
		<category><![CDATA[Props]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=13641</guid>
		<description><![CDATA[<p>When newer actors get work on films or television shows, there is sometimes a bit of a learning curve when it comes to delivering for the camera, especially doing multiple takes of the same scene. There are so many factors that come into play beyond our simple viewpoint as actors. We&#8217;re usually focused on finding [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/">On-Camera: Five Ways To Be Consistent – And Consistently Outstanding</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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