<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>NYCastings - DirectSubmit &#187; Acting tips</title>
	<atom:link href="https://www.nycastings.com/tag/acting-tips/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.nycastings.com</link>
	<description>Casting Tools for Casting Directors and On-Camera Talent</description>
	<lastBuildDate>Tue, 18 Feb 2025 20:20:48 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=4.2.2</generator>
	<item>
		<title>10 Books On Acting Every Actor Should Read</title>
		<link>https://www.nycastings.com/10-books-on-acting-every-actor-should-read/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-books-on-acting-every-actor-should-read</link>
		<comments>https://www.nycastings.com/10-books-on-acting-every-actor-should-read/#comments</comments>
		<pubDate>Thu, 23 Jan 2025 22:30:02 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[A Challenge for the Actor]]></category>
		<category><![CDATA[A Life in Parts]]></category>
		<category><![CDATA[acting books]]></category>
		<category><![CDATA[acting career]]></category>
		<category><![CDATA[acting guide]]></category>
		<category><![CDATA[acting industry insights]]></category>
		<category><![CDATA[acting inspiration]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Acting: The First Six Lessons]]></category>
		<category><![CDATA[actor's guide]]></category>
		<category><![CDATA[actor's resource]]></category>
		<category><![CDATA[An Actor Prepares]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[best acting books]]></category>
		<category><![CDATA[Bryan Cranston]]></category>
		<category><![CDATA[Constantin Stanislavski]]></category>
		<category><![CDATA[Damon DiMarco]]></category>
		<category><![CDATA[Declan Donnellan]]></category>
		<category><![CDATA[improve acting skills]]></category>
		<category><![CDATA[Ivana Chubbuck]]></category>
		<category><![CDATA[Larry Moss]]></category>
		<category><![CDATA[Meisner on Acting]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[memoirs for actors]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[Michael Shurtleff]]></category>
		<category><![CDATA[Respect for Acting]]></category>
		<category><![CDATA[Richard Boleslavsky]]></category>
		<category><![CDATA[Sanford Meisner]]></category>
		<category><![CDATA[Stanislavski Method]]></category>
		<category><![CDATA[The Actor and the Target]]></category>
		<category><![CDATA[The Actor's Art and Craft]]></category>
		<category><![CDATA[The Intent to Live]]></category>
		<category><![CDATA[The Power of the Actor]]></category>
		<category><![CDATA[Uta Hagen]]></category>
		<category><![CDATA[William Esper]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25171</guid>
		<description><![CDATA[<p>Embarking on a journey in the acting world is a unique adventure that requires not just raw talent but also a deep understanding of the craft. Books on acting serve as invaluable resources, offering guidance, techniques, and insights from seasoned professionals. For those who tread the boards or illuminate the screen, absorbing wisdom from these [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/10-books-on-acting-every-actor-should-read/">10 Books On Acting Every Actor Should Read</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/10-books-on-acting-every-actor-should-read/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From VHS Dreams to Crafting Characters: Chris Greene’s Journey</title>
		<link>https://www.nycastings.com/from-vhs-dreams-to-crafting-characters-chris-greenes-journey/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=from-vhs-dreams-to-crafting-characters-chris-greenes-journey</link>
		<comments>https://www.nycastings.com/from-vhs-dreams-to-crafting-characters-chris-greenes-journey/#comments</comments>
		<pubDate>Fri, 01 Nov 2024 19:05:54 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[acting advice for beginners]]></category>
		<category><![CDATA[acting industry insights]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[acting training methods]]></category>
		<category><![CDATA[Acting Workshops]]></category>
		<category><![CDATA[actor interview]]></category>
		<category><![CDATA[audition tips]]></category>
		<category><![CDATA[biopic actor roles]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[Chris Greene]]></category>
		<category><![CDATA[Chris Greene acting career]]></category>
		<category><![CDATA[Chris Greene movies and TV shows]]></category>
		<category><![CDATA[DAHMER actor]]></category>
		<category><![CDATA[how to become an actor]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[Queen of the South actor]]></category>
		<category><![CDATA[SAG-AFTRA membership]]></category>
		<category><![CDATA[self-tape auditions]]></category>
		<category><![CDATA[starting an acting career]]></category>
		<category><![CDATA[Stella Adler acting]]></category>
		<category><![CDATA[The Life Of An Actor Organization]]></category>
		<category><![CDATA[Tyler Perry’s Assisted Living]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25708</guid>
		<description><![CDATA[<p>For many actors, the spark of inspiration comes from a moment, a mentor, or even a movie. For Chris Greene, it began with stacks of VHS tapes and a dream to stand alongside the greats like Denzel Washington and Robert De Niro. What started as a fascination with storytelling transformed into a lifelong dedication to [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/from-vhs-dreams-to-crafting-characters-chris-greenes-journey/">From VHS Dreams to Crafting Characters: Chris Greene’s Journey</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/from-vhs-dreams-to-crafting-characters-chris-greenes-journey/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>5 Ways How to Steal the Show as the Comedic Relief in a Drama</title>
		<link>https://www.nycastings.com/5-ways-how-to-steal-the-show-as-the-comedic-relief-in-a-drama/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5-ways-how-to-steal-the-show-as-the-comedic-relief-in-a-drama</link>
		<comments>https://www.nycastings.com/5-ways-how-to-steal-the-show-as-the-comedic-relief-in-a-drama/#comments</comments>
		<pubDate>Tue, 03 Sep 2024 19:23:26 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actor guidance]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Awkwafina]]></category>
		<category><![CDATA[balancing drama and comedy]]></category>
		<category><![CDATA[Ben Schwartz]]></category>
		<category><![CDATA[Bill Burr]]></category>
		<category><![CDATA[Black Widow]]></category>
		<category><![CDATA[Bodies Bodies Bodies]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[comedic relief]]></category>
		<category><![CDATA[comedic timing]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[comedy in drama]]></category>
		<category><![CDATA[David Harbour]]></category>
		<category><![CDATA[Don’t Look Up]]></category>
		<category><![CDATA[dramatic storytelling]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Eternals]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[film pacing]]></category>
		<category><![CDATA[film performance]]></category>
		<category><![CDATA[Free Guy]]></category>
		<category><![CDATA[How to Steal the Show as the Comedic Relief in a Drama]]></category>
		<category><![CDATA[humor in movies]]></category>
		<category><![CDATA[iconic characters]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jesse Plemons]]></category>
		<category><![CDATA[Kumail Nanjiani]]></category>
		<category><![CDATA[Lashana Lynch]]></category>
		<category><![CDATA[memorable performances]]></category>
		<category><![CDATA[movie humor]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Rachel Sennott]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[serious films]]></category>
		<category><![CDATA[Shang-Chi and the Legend of the Ten Rings]]></category>
		<category><![CDATA[Sonic the Hedgehog 2]]></category>
		<category><![CDATA[standout roles]]></category>
		<category><![CDATA[subtle comedy]]></category>
		<category><![CDATA[supporting roles]]></category>
		<category><![CDATA[Taika Waititi]]></category>
		<category><![CDATA[The Power of the Dog]]></category>
		<category><![CDATA[The Woman King]]></category>
		<category><![CDATA[Timothée Chalamet]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25529</guid>
		<description><![CDATA[<p>Comedic relief is often misunderstood and underappreciated. However, when done skillfully, it can turn into the highlight of a film, providing viewers with a much-needed pause from the intensity while still contributing to the overall narrative. For performers, portraying comedic relief in a dramatic context presents a distinct challenge: it&#8217;s essential to weave humor into [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/5-ways-how-to-steal-the-show-as-the-comedic-relief-in-a-drama/">5 Ways How to Steal the Show as the Comedic Relief in a Drama</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/5-ways-how-to-steal-the-show-as-the-comedic-relief-in-a-drama/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Actors, Singers, Dancers – Did You Know?</title>
		<link>https://www.nycastings.com/actors-singers-dancers-did-you-know/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=actors-singers-dancers-did-you-know</link>
		<comments>https://www.nycastings.com/actors-singers-dancers-did-you-know/#comments</comments>
		<pubDate>Mon, 12 Aug 2024 22:35:52 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[acting career]]></category>
		<category><![CDATA[acting opportunities]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[acting versatility]]></category>
		<category><![CDATA[Acting Workshops]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actor branding]]></category>
		<category><![CDATA[Actor Marketing]]></category>
		<category><![CDATA[actor reel]]></category>
		<category><![CDATA[actor relationships]]></category>
		<category><![CDATA[actor skills]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[audition preparation]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[casting directors]]></category>
		<category><![CDATA[casting process]]></category>
		<category><![CDATA[cold reads]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[did you know]]></category>
		<category><![CDATA[entertainment industry]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[film industry]]></category>
		<category><![CDATA[film set experience]]></category>
		<category><![CDATA[Headshots]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improvisation for actors]]></category>
		<category><![CDATA[indie projects]]></category>
		<category><![CDATA[Memorizing Lines]]></category>
		<category><![CDATA[networking for actors]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[persistence in acting]]></category>
		<category><![CDATA[physical and vocal health]]></category>
		<category><![CDATA[professional attitude]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[self-care for actors]]></category>
		<category><![CDATA[Self-Tapes]]></category>
		<category><![CDATA[singers]]></category>
		<category><![CDATA[student films]]></category>
		<category><![CDATA[theater background]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25538</guid>
		<description><![CDATA[<p>Did you know that knowledge and preparation are key to standing out and thriving? For many aspiring and seasoned actors, singers and dancers, there’s a constant hunger to learn industry insights. From understanding casting dynamics to mastering self-tape techniques, every bit of insider knowledge can make a significant difference in advancing your career. Below is [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/actors-singers-dancers-did-you-know/">Actors, Singers, Dancers – Did You Know?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/actors-singers-dancers-did-you-know/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Acting is Reacting &#8211; A Guide for Actors</title>
		<link>https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=acting-is-reacting-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 29 Jul 2024 20:06:58 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting is reacting]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[action scenes]]></category>
		<category><![CDATA[active listening]]></category>
		<category><![CDATA[actor's connection]]></category>
		<category><![CDATA[actor's guide]]></category>
		<category><![CDATA[anticipation in acting]]></category>
		<category><![CDATA[audience engagement]]></category>
		<category><![CDATA[authenticity in acting]]></category>
		<category><![CDATA[body language in acting]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Bryan Cranston]]></category>
		<category><![CDATA[building tension]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[comedy acting]]></category>
		<category><![CDATA[dramatic scenes]]></category>
		<category><![CDATA[emotional depth in acting]]></category>
		<category><![CDATA[emotional recall]]></category>
		<category><![CDATA[empathy in acting]]></category>
		<category><![CDATA[engagement in acting]]></category>
		<category><![CDATA[improvisation exercises]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[Meisner technique]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[mimicry in acting]]></category>
		<category><![CDATA[observation in acting]]></category>
		<category><![CDATA[On the Waterfront]]></category>
		<category><![CDATA[Overacting]]></category>
		<category><![CDATA[Performance Authenticity]]></category>
		<category><![CDATA[practical acting exercises]]></category>
		<category><![CDATA[reacting]]></category>
		<category><![CDATA[reaction speed drills]]></category>
		<category><![CDATA[Scene Study]]></category>
		<category><![CDATA[Sophie’s Choice]]></category>
		<category><![CDATA[spontaneity in acting]]></category>
		<category><![CDATA[staying present]]></category>
		<category><![CDATA[vulnerability in acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25414</guid>
		<description><![CDATA[<p>Acting is often described as the art of living truthfully under imaginary terms. One of the most fundamental aspects of this is the concept that &#8220;acting is reacting.&#8221; This means that authentic performance comes from genuine responses to the stimuli provided by the other actors and the environment within a scene. Let&#8217;s explain what this [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/">Acting is Reacting &#8211; A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/acting-is-reacting-a-guide-for-actors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>10 Common Mistakes Actors Should Avoid During Callbacks</title>
		<link>https://www.nycastings.com/10-common-mistakes-actors-should-avoid-during-callbacks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-common-mistakes-actors-should-avoid-during-callbacks</link>
		<comments>https://www.nycastings.com/10-common-mistakes-actors-should-avoid-during-callbacks/#comments</comments>
		<pubDate>Wed, 17 Jul 2024 18:51:25 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting career]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actor Advice]]></category>
		<category><![CDATA[actor mistakes]]></category>
		<category><![CDATA[actor pitfalls]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[audition preparation]]></category>
		<category><![CDATA[Audition Success]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[callback behavior]]></category>
		<category><![CDATA[callback tips]]></category>
		<category><![CDATA[callbacks]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[casting process]]></category>
		<category><![CDATA[casting success]]></category>
		<category><![CDATA[common errors]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[landing a role]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[professional conduct]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[talent showcase]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25386</guid>
		<description><![CDATA[<p>Auditioning for a role marks the beginning of an actor&#8217;s journey, but the callback is a critical phase in the casting process. Receiving a callback signifies that the casting director sees potential in you for the role. However, it&#8217;s not just about displaying your talent; your behavior can greatly influence your chances of getting the [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/10-common-mistakes-actors-should-avoid-during-callbacks/">10 Common Mistakes Actors Should Avoid During Callbacks</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/10-common-mistakes-actors-should-avoid-during-callbacks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beyond the Big City: Finding Talent Representation in Smaller Markets</title>
		<link>https://www.nycastings.com/beyond-the-big-city-finding-talent-representation-in-smaller-markets/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beyond-the-big-city-finding-talent-representation-in-smaller-markets</link>
		<comments>https://www.nycastings.com/beyond-the-big-city-finding-talent-representation-in-smaller-markets/#comments</comments>
		<pubDate>Wed, 22 May 2024 18:50:51 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting career]]></category>
		<category><![CDATA[acting classes]]></category>
		<category><![CDATA[Acting Community]]></category>
		<category><![CDATA[acting experience]]></category>
		<category><![CDATA[acting industry]]></category>
		<category><![CDATA[acting network]]></category>
		<category><![CDATA[acting opportunities]]></category>
		<category><![CDATA[acting opportunities in smaller markets]]></category>
		<category><![CDATA[acting portfolio]]></category>
		<category><![CDATA[Acting Resume]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[agent communication]]></category>
		<category><![CDATA[aspiring actors]]></category>
		<category><![CDATA[career growth]]></category>
		<category><![CDATA[casting calls]]></category>
		<category><![CDATA[Demo Reel]]></category>
		<category><![CDATA[DirectSubmit]]></category>
		<category><![CDATA[finding an agent]]></category>
		<category><![CDATA[local agents]]></category>
		<category><![CDATA[local theater]]></category>
		<category><![CDATA[national casting calls]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[portfolio building]]></category>
		<category><![CDATA[professional connections]]></category>
		<category><![CDATA[professional development]]></category>
		<category><![CDATA[Professional Headshot]]></category>
		<category><![CDATA[regional projects]]></category>
		<category><![CDATA[smaller market advantages]]></category>
		<category><![CDATA[smaller markets]]></category>
		<category><![CDATA[talent representation]]></category>
		<category><![CDATA[workshops]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25321</guid>
		<description><![CDATA[<p>Major hubs like Los Angeles and New York are considered top choices for aspiring actors. They offer a wealth of opportunities in various entertainment fields such as film, television, theater, and commercials. However, not every actor is based in these metropolitan areas. Many individuals in smaller markets wonder how they can achieve their career aspirations [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/beyond-the-big-city-finding-talent-representation-in-smaller-markets/">Beyond the Big City: Finding Talent Representation in Smaller Markets</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/beyond-the-big-city-finding-talent-representation-in-smaller-markets/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Becoming the Character: An In-Depth Look at Personality Traits in Acting</title>
		<link>https://www.nycastings.com/becoming-the-character-an-in-depth-look-at-personality-traits-in-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=becoming-the-character-an-in-depth-look-at-personality-traits-in-acting</link>
		<comments>https://www.nycastings.com/becoming-the-character-an-in-depth-look-at-personality-traits-in-acting/#comments</comments>
		<pubDate>Sun, 28 Apr 2024 22:11:05 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Acting Craft]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[actor's guide]]></category>
		<category><![CDATA[actor's toolbox]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[character transformation]]></category>
		<category><![CDATA[diverse characters]]></category>
		<category><![CDATA[embodying traits]]></category>
		<category><![CDATA[emotional portrayal]]></category>
		<category><![CDATA[mastering roles]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[performance skills]]></category>
		<category><![CDATA[personality in acting]]></category>
		<category><![CDATA[personality traits in acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25201</guid>
		<description><![CDATA[<p>As an actor, your ability to embody a vast spectrum of personality traits is the cornerstone of your craft. Whether you&#8217;re stepping into the shoes of a character brimming with optimism, navigating the complexities of a manipulative antagonist, or portraying the nuanced layers of an introverted soul, each role offers a unique opportunity to explore [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/becoming-the-character-an-in-depth-look-at-personality-traits-in-acting/">Becoming the Character: An In-Depth Look at Personality Traits in Acting</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/becoming-the-character-an-in-depth-look-at-personality-traits-in-acting/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mastering the Gaze: How Eye Contact Elevates Film Acting &#8211; Iconic Scenes Explored</title>
		<link>https://www.nycastings.com/mastering-the-gaze-how-eye-contact-elevates-film-acting-iconic-scenes-explored/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mastering-the-gaze-how-eye-contact-elevates-film-acting-iconic-scenes-explored</link>
		<comments>https://www.nycastings.com/mastering-the-gaze-how-eye-contact-elevates-film-acting-iconic-scenes-explored/#comments</comments>
		<pubDate>Wed, 06 Mar 2024 21:41:42 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[A Clockwork Orange]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[acting with eyes]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Anthony Hopkins]]></category>
		<category><![CDATA[Blue is the Warmest Color]]></category>
		<category><![CDATA[cinematic eye contact]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[close-up shots in film]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[emotional eye contact acting]]></category>
		<category><![CDATA[eye contact in acting]]></category>
		<category><![CDATA[eye contact in film storytelling]]></category>
		<category><![CDATA[famous film scenes]]></category>
		<category><![CDATA[film acting techniques]]></category>
		<category><![CDATA[iconic eye contact scenes]]></category>
		<category><![CDATA[In the Mood for Love]]></category>
		<category><![CDATA[Janet Leigh]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[La La Land]]></category>
		<category><![CDATA[Léa Seydoux]]></category>
		<category><![CDATA[Maggie Cheung]]></category>
		<category><![CDATA[Malcolm McDowell]]></category>
		<category><![CDATA[Non-verbal communication in acting]]></category>
		<category><![CDATA[powerful eye contact moments in cinema]]></category>
		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<category><![CDATA[The Good the Bad and the Ugly]]></category>
		<category><![CDATA[The Silence of the Lambs]]></category>
		<category><![CDATA[Tony Leung]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25062</guid>
		<description><![CDATA[<p>Eye contact is a powerful tool in the realm of film acting, serving as a silent yet profound way to convey a character&#8217;s emotions, intentions, and relationships. Here&#8217;s an advice article on the importance of eye contact in film acting and how actors can harness its potential to enhance their performances. The Power of Eye [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/mastering-the-gaze-how-eye-contact-elevates-film-acting-iconic-scenes-explored/">Mastering the Gaze: How Eye Contact Elevates Film Acting &#8211; Iconic Scenes Explored</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/mastering-the-gaze-how-eye-contact-elevates-film-acting-iconic-scenes-explored/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mastering Virtual and In-Person Auditions &#8211; Auditioning in the New Era</title>
		<link>https://www.nycastings.com/mastering-virtual-and-in-person-auditions-auditioning-in-the-new-era/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mastering-virtual-and-in-person-auditions-auditioning-in-the-new-era</link>
		<comments>https://www.nycastings.com/mastering-virtual-and-in-person-auditions-auditioning-in-the-new-era/#comments</comments>
		<pubDate>Mon, 11 Dec 2023 18:41:23 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting industry]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actor development]]></category>
		<category><![CDATA[actor networking]]></category>
		<category><![CDATA[actor's career]]></category>
		<category><![CDATA[actor's guide]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[audition challenges]]></category>
		<category><![CDATA[audition feedback]]></category>
		<category><![CDATA[audition preparation]]></category>
		<category><![CDATA[audition techniques]]></category>
		<category><![CDATA[building rapport]]></category>
		<category><![CDATA[casting directors]]></category>
		<category><![CDATA[casting process]]></category>
		<category><![CDATA[communication skills]]></category>
		<category><![CDATA[digital auditions]]></category>
		<category><![CDATA[entertainment industry]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[in-person auditions]]></category>
		<category><![CDATA[Mastering Virtual and In-Person Auditions]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[online auditions]]></category>
		<category><![CDATA[performance skills]]></category>
		<category><![CDATA[professional acting]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[screen presence]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[technical setup for auditions]]></category>
		<category><![CDATA[virtual auditions]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24841</guid>
		<description><![CDATA[<p>The auditioning landscape has undergone a dramatic shift in recent years, particularly with the advent of virtual technology. Today&#8217;s actors are often required to navigate between the traditional in-person auditions and the increasingly prevalent virtual audition format. This hybrid environment demands a new set of skills and adaptations. Let&#8217;s explore key strategies and tips for excelling [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/mastering-virtual-and-in-person-auditions-auditioning-in-the-new-era/">Mastering Virtual and In-Person Auditions &#8211; Auditioning in the New Era</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/mastering-virtual-and-in-person-auditions-auditioning-in-the-new-era/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>10 Tips on Mastering Relationships with Directors and Crew</title>
		<link>https://www.nycastings.com/10-tips-on-mastering-relationships-with-directors-and-crew/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-tips-on-mastering-relationships-with-directors-and-crew</link>
		<comments>https://www.nycastings.com/10-tips-on-mastering-relationships-with-directors-and-crew/#comments</comments>
		<pubDate>Mon, 27 Nov 2023 17:29:27 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actor-director relationship]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[Adaptability]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Angelica Huston]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Billy Crystal]]></category>
		<category><![CDATA[character interpretation]]></category>
		<category><![CDATA[Christopher Guest]]></category>
		<category><![CDATA[Collaboration]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[constructive feedback]]></category>
		<category><![CDATA[creative exploration]]></category>
		<category><![CDATA[crew]]></category>
		<category><![CDATA[crew interaction]]></category>
		<category><![CDATA[Dana Carvey]]></category>
		<category><![CDATA[directorial vision]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Ed Begly Jr]]></category>
		<category><![CDATA[Emotional Intelligence]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Fran Drescher]]></category>
		<category><![CDATA[Fred Willard]]></category>
		<category><![CDATA[harmonization]]></category>
		<category><![CDATA[Harry Shearer]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[industry dynamics]]></category>
		<category><![CDATA[initiative]]></category>
		<category><![CDATA[June Chadwick]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[Michael McKean]]></category>
		<category><![CDATA[Nigel from Spinal Tap]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Paul Benedict]]></category>
		<category><![CDATA[Paul Shaffer]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[personal artistry]]></category>
		<category><![CDATA[positive relationships]]></category>
		<category><![CDATA[problem solving]]></category>
		<category><![CDATA[production process]]></category>
		<category><![CDATA[Professionalism]]></category>
		<category><![CDATA[Ric Parnell]]></category>
		<category><![CDATA[Rob Reiner]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[set challenges]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[teamwork]]></category>
		<category><![CDATA[technical roles]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[This is Spinal Tap]]></category>
		<category><![CDATA[Zane Buzby]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24800</guid>
		<description><![CDATA[<p>Acting isn&#8217;t just about delivering lines in front of a camera or captivating an audience on stage; it&#8217;s about forging effective working relationships with a wide array of professionals, ranging from directors to the behind the scenes crew. We&#8217;re going to unravel the intricate and complex relationships that exist on set or stage. Let&#8217;s delve [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/10-tips-on-mastering-relationships-with-directors-and-crew/">10 Tips on Mastering Relationships with Directors and Crew</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/10-tips-on-mastering-relationships-with-directors-and-crew/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>10 Proven Tips and Tricks for Delivering a Great Acting Performance</title>
		<link>https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-proven-tips-and-tricks-for-delivering-a-great-acting-performance</link>
		<comments>https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/#comments</comments>
		<pubDate>Fri, 27 Jan 2023 19:10:40 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[10 Proven Tips and Tricks for Delivering a Great Acting Performance]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting 101]]></category>
		<category><![CDATA[acting secrets]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[acting tricks]]></category>
		<category><![CDATA[active listening]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[anger and anxiety]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Axl Rose]]></category>
		<category><![CDATA[be authentic]]></category>
		<category><![CDATA[be honest]]></category>
		<category><![CDATA[be present in the moment]]></category>
		<category><![CDATA[be present in the scene]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[Bruce Campbell]]></category>
		<category><![CDATA[Charles Mesure]]></category>
		<category><![CDATA[enunciation]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Gabrielle]]></category>
		<category><![CDATA[Guns N' Roses]]></category>
		<category><![CDATA[hearing]]></category>
		<category><![CDATA[Hudson Leick]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Karl Urban]]></category>
		<category><![CDATA[Kevin Smith]]></category>
		<category><![CDATA[Kevin Sorbo]]></category>
		<category><![CDATA[Lucy Lawless]]></category>
		<category><![CDATA[Matt Sorum]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[phrasing]]></category>
		<category><![CDATA[Pitch]]></category>
		<category><![CDATA[platonic]]></category>
		<category><![CDATA[professionalism in the workplace]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[punctual]]></category>
		<category><![CDATA[Renee O'Connor]]></category>
		<category><![CDATA[respectful]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[sensory acting]]></category>
		<category><![CDATA[sensory detail]]></category>
		<category><![CDATA[sight]]></category>
		<category><![CDATA[Slash]]></category>
		<category><![CDATA[smell]]></category>
		<category><![CDATA[Sweet Child O' Mine]]></category>
		<category><![CDATA[taking risks]]></category>
		<category><![CDATA[taste]]></category>
		<category><![CDATA[Ted Raimi]]></category>
		<category><![CDATA[touch]]></category>
		<category><![CDATA[Xena]]></category>
		<category><![CDATA[Xena Warrior Princess]]></category>
		<category><![CDATA[Zoom]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23654</guid>
		<description><![CDATA[<p>Acting is a complex and multi-faceted craft, requiring both imagination and technique. Whether you’re a beginner or an experienced actor, there are certain tips and tricks to help you achieve a great acting performance. Overall, the steps when preparing for a role is to understand the story, setting, character background and objectives; this will help [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/">10 Proven Tips and Tricks for Delivering a Great Acting Performance</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/10-proven-tips-and-tricks-for-delivering-a-great-acting-performance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Should an Actor Judge Their Character?</title>
		<link>https://www.nycastings.com/should-an-actor-judge-their-character/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=should-an-actor-judge-their-character</link>
		<comments>https://www.nycastings.com/should-an-actor-judge-their-character/#comments</comments>
		<pubDate>Tue, 26 Jul 2022 18:05:28 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting lesson]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Diana Spencer]]></category>
		<category><![CDATA[Elvis]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[judging character]]></category>
		<category><![CDATA[Kristen Stewart]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Princess Diana]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[The Devil Wears Prada]]></category>
		<category><![CDATA[Tom Hanks]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=22791</guid>
		<description><![CDATA[<p>Should an actor judge their character? This question could be taken in multiple ways: &#8211; Should an actor judge the character they’re playing? &#8211; Should an actor judge their own character as a real life person? &#8211; Does a character judge the actor? (Readers, I love this one! Flipside!) Playing a Character In general, you [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/should-an-actor-judge-their-character/">Should an Actor Judge Their Character?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/should-an-actor-judge-their-character/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>6 Tips on How to Become a Convincing Actor</title>
		<link>https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=6-tips-on-how-to-become-a-convincing-actor</link>
		<comments>https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/#comments</comments>
		<pubDate>Thu, 14 Jul 2022 17:17:40 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[background player]]></category>
		<category><![CDATA[backstory]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[how to be a convincing actor]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jack Nicholson]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[pressure]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[self motivation]]></category>
		<category><![CDATA[staying in character]]></category>
		<category><![CDATA[the shining]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=22737</guid>
		<description><![CDATA[<p>You land your first big role and now the pressure to be a convincing actor is high priority. But honestly, the pressure should be on from the moment you decided to become an actor, right? Even if you’re a background player. Now that I think about it, there really shouldn’t be any pressure… you’re just [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/">6 Tips on How to Become a Convincing Actor</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/6-tips-on-how-to-become-a-convincing-actor/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Skype Auditions &#8211; Advice on how to rock them!</title>
		<link>https://www.nycastings.com/skype-auditions-advice-on-how-to-rock-them-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=skype-auditions-advice-on-how-to-rock-them-2</link>
		<comments>https://www.nycastings.com/skype-auditions-advice-on-how-to-rock-them-2/#comments</comments>
		<pubDate>Fri, 05 May 2017 11:19:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[How-to]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Angelita Ali]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Christina Calph]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[reels]]></category>
		<category><![CDATA[Self-Tape]]></category>
		<category><![CDATA[skype]]></category>
		<category><![CDATA[skype auditions]]></category>
		<category><![CDATA[Veronika Dash]]></category>
		<category><![CDATA[video auditioning]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/skype-auditions-advice-on-how-to-rock-them-2/</guid>
		<description><![CDATA[<p>Reinventing the term &#8220;Casting Couch&#8221; &#8211; Skype now brings auditions directly to your living room! That&#8217;s right! The free online service that lets you video chat with your friends across countries is now being used by entertainment casting companies. The basics of these auditions are simple enough &#8211; you dial up via Skype and use [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/skype-auditions-advice-on-how-to-rock-them-2/">Skype Auditions &#8211; Advice on how to rock them!</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/skype-auditions-advice-on-how-to-rock-them-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Actors: Avoid These 5 Simple Mistakes</title>
		<link>https://www.nycastings.com/actors-avoid-these-5-simple-mistakes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=actors-avoid-these-5-simple-mistakes</link>
		<comments>https://www.nycastings.com/actors-avoid-these-5-simple-mistakes/#comments</comments>
		<pubDate>Mon, 20 Jun 2016 17:14:59 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Actor Advice]]></category>
		<category><![CDATA[actor auditions]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[audition mistakes]]></category>
		<category><![CDATA[casting director]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=6554</guid>
		<description><![CDATA[<p>Have you ever been to an audition or a job and you walk out not sure what just happened? Or something just doesn&#8217;t feel right? Here are five tips on how to avoid that awful feeling: 1. Always read and re-read the instructions from your agent and/or manager. Instructions are there to guide you; human nature [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/actors-avoid-these-5-simple-mistakes/">Actors: Avoid These 5 Simple Mistakes</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/actors-avoid-these-5-simple-mistakes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grey&#8217;s Anatomy&#8217;s Jason George On Keeping Your Acting Skills Sharp</title>
		<link>https://www.nycastings.com/greys-anatomys-jason-george-on-keeping-your-acting-skills-sharp/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=greys-anatomys-jason-george-on-keeping-your-acting-skills-sharp</link>
		<comments>https://www.nycastings.com/greys-anatomys-jason-george-on-keeping-your-acting-skills-sharp/#comments</comments>
		<pubDate>Sat, 30 Apr 2016 11:46:53 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[acting work]]></category>
		<category><![CDATA[alyssa milano]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[back stage]]></category>
		<category><![CDATA[booking]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[grey's anatomy]]></category>
		<category><![CDATA[halle berry]]></category>
		<category><![CDATA[jason george]]></category>
		<category><![CDATA[jobs]]></category>
		<category><![CDATA[mistresses]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[show business]]></category>
		<category><![CDATA[talent agent]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=6369</guid>
		<description><![CDATA[<p>Jason George and Chandra Wilson in Grey&#8217;s Anatomy Photo by Mitch Haaseth / ABC Jason George has been in show business since the late 1990&#8217;s. This explains why he&#8217;s such a seasoned actor. But even with a resume taller than the Eiffel Tower, Jason keeps his game up. Born on February 9, 1972, this 44 [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/greys-anatomys-jason-george-on-keeping-your-acting-skills-sharp/">Grey&#8217;s Anatomy&#8217;s Jason George On Keeping Your Acting Skills Sharp</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/greys-anatomys-jason-george-on-keeping-your-acting-skills-sharp/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Find the Best Acting Monologues for You</title>
		<link>https://www.nycastings.com/how-to-find-the-best-acting-monologues-for-you/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-find-the-best-acting-monologues-for-you</link>
		<comments>https://www.nycastings.com/how-to-find-the-best-acting-monologues-for-you/#comments</comments>
		<pubDate>Mon, 30 Nov 2015 22:03:04 +0000</pubDate>
		<dc:creator><![CDATA[Michelle Lulic]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[Brian O’Neil​]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Monologues]]></category>
		<category><![CDATA[Shakespearean play]]></category>
		<category><![CDATA[Stuart Brynien]]></category>
		<category><![CDATA[talent agent]]></category>
		<category><![CDATA[The Drama Book Shop]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=5739</guid>
		<description><![CDATA[<p>Performing Acting Monologues can be nerve ­wracking. For a time span of 1-­3 minutes it’s all eyes on you. You need to create the character, the scene, and the circumstance all without the help of another actor. And, oftentimes, if you’re performing a monologue, it’s for one of these few reasons: You’re auditioning for something, you’re in the [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-find-the-best-acting-monologues-for-you/">How to Find the Best Acting Monologues for You</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/how-to-find-the-best-acting-monologues-for-you/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>If I Can Tell You&#8217;re Acting, Then You&#8217;re Not Acting</title>
		<link>https://www.nycastings.com/if-i-can-tell-youre-acting-then-youre-not-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=if-i-can-tell-youre-acting-then-youre-not-acting</link>
		<comments>https://www.nycastings.com/if-i-can-tell-youre-acting-then-youre-not-acting/#comments</comments>
		<pubDate>Sun, 08 Nov 2015 17:09:32 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[andrew stewart-jones]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Freeman Studio]]></category>
		<category><![CDATA[Gotham]]></category>
		<category><![CDATA[Jack Nicholson]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[stage]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=5643</guid>
		<description><![CDATA[<p>“If you think you don&#8217;t need a refresher acting class, you&#8217;re dead wrong.” I was torn between titles for this article, so I decided to stick with my original thought which was “If I Can Tell You&#8217;re Acting, Then You&#8217;re Not Acting.” (The other title was “How to Get Away with Acting” – a play [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/if-i-can-tell-youre-acting-then-youre-not-acting/">If I Can Tell You&#8217;re Acting, Then You&#8217;re Not Acting</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/if-i-can-tell-youre-acting-then-youre-not-acting/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Make a Memorable Character w/ Gotham&#8217;s Victoria Cartagena</title>
		<link>https://www.nycastings.com/how-to-make-a-memorable-character-w-gothams-victoria-cartagena/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-make-a-memorable-character-w-gothams-victoria-cartagena</link>
		<comments>https://www.nycastings.com/how-to-make-a-memorable-character-w-gothams-victoria-cartagena/#comments</comments>
		<pubDate>Wed, 25 Feb 2015 11:44:00 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Acting tips]]></category>
		<category><![CDATA[Celebrity]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Gotham]]></category>
		<category><![CDATA[Victoria Cartagena]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/how-to-make-a-memorable-character-w-gothams-victoria-cartagena/</guid>
		<description><![CDATA[<p>Victoria Cartagena made such an impact during the interview that I was totally thrown off guard. &#8211; ILANA Let&#8217;s talk about Victoria Cartagena, aka Vicki, who plays Detective Renee Montoya on FOX&#8217;s Gotham. When an actor takes a huge chunk out of their time to perfect an interview, that also gives one a sense of [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-make-a-memorable-character-w-gothams-victoria-cartagena/">How To Make a Memorable Character w/ Gotham&#8217;s Victoria Cartagena</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/how-to-make-a-memorable-character-w-gothams-victoria-cartagena/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
