<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>NYCastings - DirectSubmit &#187; script</title>
	<atom:link href="https://www.nycastings.com/tag/script/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.nycastings.com</link>
	<description>Casting Tools for Casting Directors and On-Camera Talent</description>
	<lastBuildDate>Tue, 18 Feb 2025 20:20:48 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=4.2.2</generator>
	<item>
		<title>5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</title>
		<link>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 15 Apr 2024 17:55:36 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[5 Ways to Cultivate a Versatile Acting Range]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[analytical finesse]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[authentic performance]]></category>
		<category><![CDATA[Authenticity]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[character’s motivation]]></category>
		<category><![CDATA[coach]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[cultural influences]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[discuss]]></category>
		<category><![CDATA[emotional landscape]]></category>
		<category><![CDATA[emotive prowess]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[holistic understanding]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[internal monologue]]></category>
		<category><![CDATA[journaling]]></category>
		<category><![CDATA[mark up]]></category>
		<category><![CDATA[mime]]></category>
		<category><![CDATA[narrative arc]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Objective]]></category>
		<category><![CDATA[open mind]]></category>
		<category><![CDATA[portrayal]]></category>
		<category><![CDATA[psychological landscape]]></category>
		<category><![CDATA[questions]]></category>
		<category><![CDATA[read]]></category>
		<category><![CDATA[rehearsals]]></category>
		<category><![CDATA[relationship]]></category>
		<category><![CDATA[relationship dynamics]]></category>
		<category><![CDATA[reread]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[scene analysis]]></category>
		<category><![CDATA[scene objective]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[setting]]></category>
		<category><![CDATA[silent]]></category>
		<category><![CDATA[silent expression]]></category>
		<category><![CDATA[societal influences]]></category>
		<category><![CDATA[subtext]]></category>
		<category><![CDATA[super-objective]]></category>
		<category><![CDATA[Time]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25228</guid>
		<description><![CDATA[<p>A Guide for Actors Versatility is key. A versatile actor can seamlessly transition between different roles, genres, and mediums, making them invaluable in the industry. But how does one cultivate such a diverse skill set? Here are five ways to develop a versatile acting range: 1. Embrace Continuous Learning At the heart of versatility lies [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/">5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Power of Observation – A Key to Authentic Acting</title>
		<link>https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-power-of-observation-a-key-to-authentic-acting</link>
		<comments>https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/#comments</comments>
		<pubDate>Fri, 19 Jan 2024 18:46:57 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Authenticity]]></category>
		<category><![CDATA[Body Language]]></category>
		<category><![CDATA[boundaries]]></category>
		<category><![CDATA[Challenges]]></category>
		<category><![CDATA[character development]]></category>
		<category><![CDATA[Continuous Learning]]></category>
		<category><![CDATA[cultural dynamics]]></category>
		<category><![CDATA[Depth]]></category>
		<category><![CDATA[dignity]]></category>
		<category><![CDATA[emotional palette]]></category>
		<category><![CDATA[Empathy]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[ethical considerations]]></category>
		<category><![CDATA[human behavior]]></category>
		<category><![CDATA[human emotion]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[life immersion]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[non-verbal communication]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[observation]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[privacy]]></category>
		<category><![CDATA[respect]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[society reflection]]></category>
		<category><![CDATA[spontaneity]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[The Power of Observation: A Key to Authentic Acting]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24998</guid>
		<description><![CDATA[<p>Acting goes beyond simply reciting lines and performing; it requires exploring the inner complexities of the characters. An aspect of this exploration is astute observation, enabling actors to infuse their portrayals with authentic emotion and depth. Observation is indispensable for actors, as it enables them to grasp and realistically depict characters with diverse emotions and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/">The Power of Observation – A Key to Authentic Acting</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/the-power-of-observation-a-key-to-authentic-acting/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The SAG-AFTRA Micro-Budget Project Agreement</title>
		<link>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-sag-aftra-micro-budget-project-agreement</link>
		<comments>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/#comments</comments>
		<pubDate>Sun, 12 Nov 2023 19:17:43 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting choices]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film budgeting]]></category>
		<category><![CDATA[film crew hiring]]></category>
		<category><![CDATA[film distribution]]></category>
		<category><![CDATA[film industry standards]]></category>
		<category><![CDATA[film marketability]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film project guidelines]]></category>
		<category><![CDATA[film project planning]]></category>
		<category><![CDATA[film talent acquisition]]></category>
		<category><![CDATA[filmmaking options]]></category>
		<category><![CDATA[getting your script made]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[indie film production]]></category>
		<category><![CDATA[low-budget film]]></category>
		<category><![CDATA[movie industry]]></category>
		<category><![CDATA[movie project decisions]]></category>
		<category><![CDATA[movie script]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[non-union project flexibility]]></category>
		<category><![CDATA[non-union vs union]]></category>
		<category><![CDATA[professional actors]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story live]]></category>
		<category><![CDATA[storyline]]></category>
		<category><![CDATA[student films]]></category>
		<category><![CDATA[union]]></category>
		<category><![CDATA[union benefits in filmmaking]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24781</guid>
		<description><![CDATA[<p>Deciding whether to make your film project non-union or union is a pivotal choice that can significantly impact the scope, budget, and potential reach of your production. Opting for a non-union route often provides more flexibility in terms of budget constraints and casting options, potentially making it suitable for independent or smaller-scale projects. Conversely, going [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/">The SAG-AFTRA Micro-Budget Project Agreement</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Making the Most of the SAG-AFTRA Strike: A Guide for Actors</title>
		<link>https://www.nycastings.com/making-the-most-of-the-sag-aftra-strike-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=making-the-most-of-the-sag-aftra-strike-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/making-the-most-of-the-sag-aftra-strike-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 30 Oct 2023 17:34:07 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Acting Workshop]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[advocacy]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[alternative avenues]]></category>
		<category><![CDATA[Animation]]></category>
		<category><![CDATA[audiobooks]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[break]]></category>
		<category><![CDATA[budgeting]]></category>
		<category><![CDATA[budgeting apps]]></category>
		<category><![CDATA[Challenges]]></category>
		<category><![CDATA[choir]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[community theatre]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[discussion group]]></category>
		<category><![CDATA[entertainment industry]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[exercise]]></category>
		<category><![CDATA[financial planner]]></category>
		<category><![CDATA[financial planning]]></category>
		<category><![CDATA[hobby]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[income streams]]></category>
		<category><![CDATA[industry events]]></category>
		<category><![CDATA[Instagram]]></category>
		<category><![CDATA[involvement]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[LinkedIn]]></category>
		<category><![CDATA[Martial Arts]]></category>
		<category><![CDATA[MEDITATION]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[mental health]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[motivational books]]></category>
		<category><![CDATA[network]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[opportunities]]></category>
		<category><![CDATA[personal development]]></category>
		<category><![CDATA[personal growth]]></category>
		<category><![CDATA[physical fitness]]></category>
		<category><![CDATA[plays]]></category>
		<category><![CDATA[podcasts]]></category>
		<category><![CDATA[positivity]]></category>
		<category><![CDATA[Reading]]></category>
		<category><![CDATA[relaxation]]></category>
		<category><![CDATA[revenue]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[SAG-AFTRA Strike]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[seminars]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[skill enhancement]]></category>
		<category><![CDATA[Social media]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[support groups]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[therapy]]></category>
		<category><![CDATA[Traveling]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[union meetings]]></category>
		<category><![CDATA[uplifting music]]></category>
		<category><![CDATA[vocal range]]></category>
		<category><![CDATA[voice lessons]]></category>
		<category><![CDATA[voice training]]></category>
		<category><![CDATA[voice-over work]]></category>
		<category><![CDATA[volunteer]]></category>
		<category><![CDATA[workshops]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[yoga]]></category>
		<category><![CDATA[YouTube channel]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24725</guid>
		<description><![CDATA[<p>Since July 14, 2023, the American actors&#8217; union Screen Actors Guild‐American Federation of Television and Radio Artists (SAG-AFTRA) has been on strike over an ongoing labor dispute with the Alliance of Motion Picture and Television Producers. Negotiations. You can read the details HERE and see an update below. While not working in the business, it’s [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/making-the-most-of-the-sag-aftra-strike-a-guide-for-actors/">Making the Most of the SAG-AFTRA Strike: A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/making-the-most-of-the-sag-aftra-strike-a-guide-for-actors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Art of Cold Reading for Actors: Tips and Tricks</title>
		<link>https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-art-of-cold-reading-for-actors-tips-and-tricks</link>
		<comments>https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/#comments</comments>
		<pubDate>Mon, 25 Sep 2023 19:53:32 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[casting directors]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[cold reading]]></category>
		<category><![CDATA[Confidence]]></category>
		<category><![CDATA[connect]]></category>
		<category><![CDATA[context clues]]></category>
		<category><![CDATA[emotional undercurrents]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[essence]]></category>
		<category><![CDATA[first impressions]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[industry]]></category>
		<category><![CDATA[inhabit]]></category>
		<category><![CDATA[intent]]></category>
		<category><![CDATA[live performances]]></category>
		<category><![CDATA[Meisner]]></category>
		<category><![CDATA[method acting]]></category>
		<category><![CDATA[mistakes]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[pace]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[physicality]]></category>
		<category><![CDATA[preparation]]></category>
		<category><![CDATA[professional]]></category>
		<category><![CDATA[Relationships]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[scene]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[secret weapon]]></category>
		<category><![CDATA[sight-reading]]></category>
		<category><![CDATA[Stanislavski]]></category>
		<category><![CDATA[The Art of Cold Reading for Actors Tips and Tricks]]></category>
		<category><![CDATA[transformative]]></category>
		<category><![CDATA[Versatility]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24645</guid>
		<description><![CDATA[<p>Cold reading is the art of delivering a performance with minimal preparation, often reading directly from a script without having had the opportunity to study it in advance. For actors, mastering this skill can make auditions a breeze, impress casting directors, and even open up opportunities for live performances or improvisation. The ability to cold [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/">The Art of Cold Reading for Actors: Tips and Tricks</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/the-art-of-cold-reading-for-actors-tips-and-tricks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Unraveling the Character: A Guide to Making Informed Choices for Actors</title>
		<link>https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unraveling-the-character-a-guide-to-making-informed-choices-for-actors</link>
		<comments>https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/#comments</comments>
		<pubDate>Thu, 06 Apr 2023 19:39:08 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[backstory]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Charlize Theron]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[Heath Ledger]]></category>
		<category><![CDATA[Jared Leto]]></category>
		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Motivation]]></category>
		<category><![CDATA[physicality]]></category>
		<category><![CDATA[Relationships]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[vocal quality]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24038</guid>
		<description><![CDATA[<p>As an actor, your ability to create a rich, layered character that resonates with audiences is paramount to your craft. When handed a new script, the choices you make will shape the character you bring to life. In this article, we&#8217;ll discuss a detailed approach to making informed character choices, helping you to develop a [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/">Unraveling the Character: A Guide to Making Informed Choices for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/unraveling-the-character-a-guide-to-making-informed-choices-for-actors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mastering the Art of Character Development: 10 Essential Tips for Actors</title>
		<link>https://www.nycastings.com/mastering-the-art-of-character-development-10-essential-tips-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mastering-the-art-of-character-development-10-essential-tips-for-actors</link>
		<comments>https://www.nycastings.com/mastering-the-art-of-character-development-10-essential-tips-for-actors/#comments</comments>
		<pubDate>Wed, 29 Mar 2023 19:45:09 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[backstory]]></category>
		<category><![CDATA[Character Study]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Develop relationships]]></category>
		<category><![CDATA[Emotional life]]></category>
		<category><![CDATA[Make strong choices]]></category>
		<category><![CDATA[Movement]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[Script analysis]]></category>
		<category><![CDATA[self-tape auditions]]></category>
		<category><![CDATA[Voice]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23987</guid>
		<description><![CDATA[<p>Just received a script for a self-taped audition, and you&#8217;re eager to make a lasting impression? Fear not! In this article, we&#8217;ll explore ten essential tips from expert acting coaches to help you develop a rich, multidimensional character from a script. Whether you&#8217;re a seasoned performer or an aspiring thespian, these tried-and-true techniques will guide you [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/mastering-the-art-of-character-development-10-essential-tips-for-actors/">Mastering the Art of Character Development: 10 Essential Tips for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/mastering-the-art-of-character-development-10-essential-tips-for-actors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Filming Scenes Out Of Sequence: Tips To Stay In The Character’s Headspace</title>
		<link>https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace</link>
		<comments>https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/#comments</comments>
		<pubDate>Wed, 07 Dec 2022 20:45:44 +0000</pubDate>
		<dc:creator><![CDATA[Jim Belden]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Anthony Hopkins]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[choices]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[memorization]]></category>
		<category><![CDATA[Prior Action]]></category>
		<category><![CDATA[scenes]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23535</guid>
		<description><![CDATA[<p>If you’ve been cast in a film, you may find the shooting schedule to be a bit confusing when you first receive it. Maybe you’re filming your death scene first, or doing a grand emotional scene before the scenes building up to it. When we watch a movie, we have a chance to get to [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/">Filming Scenes Out Of Sequence: Tips To Stay In The Character’s Headspace</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Big Dogs on The Block &#8211; Executive Producing Duo Summer &amp; Tony Talk About New Series on Amazon Prime</title>
		<link>https://www.nycastings.com/big-dogs-on-the-block-executive-producing-duo-summer-tony-talk-about-new-series-on-amazon-prime/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=big-dogs-on-the-block-executive-producing-duo-summer-tony-talk-about-new-series-on-amazon-prime</link>
		<comments>https://www.nycastings.com/big-dogs-on-the-block-executive-producing-duo-summer-tony-talk-about-new-series-on-amazon-prime/#comments</comments>
		<pubDate>Thu, 24 Sep 2020 19:51:07 +0000</pubDate>
		<dc:creator><![CDATA[Karina Shapiro]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Adam Dunn]]></category>
		<category><![CDATA[Alan Neigher]]></category>
		<category><![CDATA[Amazon Prime]]></category>
		<category><![CDATA[Below the Line Bootcamp]]></category>
		<category><![CDATA[Big Dogs TV Series]]></category>
		<category><![CDATA[Choice Films]]></category>
		<category><![CDATA[executive producer]]></category>
		<category><![CDATA[Judy Bowman]]></category>
		<category><![CDATA[Micheál Richardson]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[Summer Crockett Moore]]></category>
		<category><![CDATA[tony glazer]]></category>
		<category><![CDATA[tv series]]></category>
		<category><![CDATA[Umbra Stages]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=20774</guid>
		<description><![CDATA[<p>Actor. Actress. Writer. Producer. Showrunner. Mentor. Husband. Wife. Summer Crockett Moore and Tony Glazer wear many hats in this business, and from the sound of it, they don’t take anything for granted. These co-working and cohabitating co-Executive Producers of the Big Dogs TV Series, now streaming on Amazon Prime, have surely found their stride after nearly 28 [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/big-dogs-on-the-block-executive-producing-duo-summer-tony-talk-about-new-series-on-amazon-prime/">Big Dogs on The Block &#8211; Executive Producing Duo Summer &#038; Tony Talk About New Series on Amazon Prime</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/big-dogs-on-the-block-executive-producing-duo-summer-tony-talk-about-new-series-on-amazon-prime/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SMILE FOR THE CAMERA &#8211; Adult Male/Female &#8211; Dramatic</title>
		<link>https://www.nycastings.com/smile-for-the-camera-adult-malefemale-dramatic/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=smile-for-the-camera-adult-malefemale-dramatic</link>
		<comments>https://www.nycastings.com/smile-for-the-camera-adult-malefemale-dramatic/#comments</comments>
		<pubDate>Thu, 16 Apr 2020 19:55:16 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit Monologue Database]]></dc:creator>
				<category><![CDATA[2 Person Scenes]]></category>
		<category><![CDATA[Monologues and Scripts]]></category>
		<category><![CDATA[2 person scene]]></category>
		<category><![CDATA[3-4 Min]]></category>
		<category><![CDATA[acting script]]></category>
		<category><![CDATA[cindy]]></category>
		<category><![CDATA[couple]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Dramatic]]></category>
		<category><![CDATA[fight]]></category>
		<category><![CDATA[Murder]]></category>
		<category><![CDATA[ren]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[smile for the camera]]></category>
		<category><![CDATA[two person scene]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=19064</guid>
		<description><![CDATA[<p>&#8220;What gives you the right to play God?&#8221; from the two-person scene &#8220;Smile For The Camera&#8221;. Cindy has been captured by Ren and is pinned to a tree. Ren circles her while talking. One woman, one man. 3-4 Min. Ren: I’m not a bad man…I do things the way they need to be done. Do you [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/smile-for-the-camera-adult-malefemale-dramatic/">SMILE FOR THE CAMERA &#8211; Adult Male/Female &#8211; Dramatic</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/smile-for-the-camera-adult-malefemale-dramatic/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Want to Get Better Actors? Write Better Casting Notices!</title>
		<link>https://www.nycastings.com/want-to-get-better-actors-write-better-casting-notices/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=want-to-get-better-actors-write-better-casting-notices</link>
		<comments>https://www.nycastings.com/want-to-get-better-actors-write-better-casting-notices/#comments</comments>
		<pubDate>Thu, 16 Apr 2020 19:40:43 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[breakdowns]]></category>
		<category><![CDATA[casting actors]]></category>
		<category><![CDATA[Casting Assistant]]></category>
		<category><![CDATA[casting breakdowns]]></category>
		<category><![CDATA[Casting Dates]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[casting notices]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[directors]]></category>
		<category><![CDATA[Pay Rates]]></category>
		<category><![CDATA[Producers]]></category>
		<category><![CDATA[producing]]></category>
		<category><![CDATA[roles]]></category>
		<category><![CDATA[SAG-AFTRA New Media Contract]]></category>
		<category><![CDATA[SAG-AFTRA Signatory Producers]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[Shoot Dates]]></category>
		<category><![CDATA[sides]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=17100</guid>
		<description><![CDATA[<p>It&#8217;s been said by great directors that 90% of great directing lies in great casting. So get started the right way&#8230; We spend a lot of time here focused on the industry from the perspective of the actor. And while that makes sense – there&#8217;s a whole lot of actors out there competing for a precious [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/want-to-get-better-actors-write-better-casting-notices/">Want to Get Better Actors? Write Better Casting Notices!</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/want-to-get-better-actors-write-better-casting-notices/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Be a Cold-Blooded Killer: Bringing Your A-Game to the Cold Read</title>
		<link>https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read</link>
		<comments>https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/#comments</comments>
		<pubDate>Fri, 06 Sep 2019 16:57:02 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Adapting]]></category>
		<category><![CDATA[audition technique]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[Bob Odenkirk]]></category>
		<category><![CDATA[Booking Roles]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Cold Read Auditions]]></category>
		<category><![CDATA[commercial casting]]></category>
		<category><![CDATA[Memorization Skills]]></category>
		<category><![CDATA[Monologues]]></category>
		<category><![CDATA[on-camera audition classes]]></category>
		<category><![CDATA[Scene Study]]></category>
		<category><![CDATA[scenes]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16508</guid>
		<description><![CDATA[<p>As actors we spend a lot of time obsessing about auditions – with good reason, of course. We are in the only profession that I know of that requires workers to go to job interview after job interview for much of their career. No sooner do you get hired for one job before you&#8217;re off [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/">Be a Cold-Blooded Killer: Bringing Your A-Game to the Cold Read</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/be-a-cold-blooded-killer-bringing-your-a-game-to-the-cold-read/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>My Child is Too Shy to Be in Show Business</title>
		<link>https://www.nycastings.com/my-child-is-too-shy-to-be-in-show-business/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=my-child-is-too-shy-to-be-in-show-business</link>
		<comments>https://www.nycastings.com/my-child-is-too-shy-to-be-in-show-business/#comments</comments>
		<pubDate>Tue, 14 Aug 2018 19:59:32 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Adele's Kids]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[child actors]]></category>
		<category><![CDATA[kids]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[Shyness]]></category>
		<category><![CDATA[talent agency]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=14048</guid>
		<description><![CDATA[<p>First ask yourself why you want to put your kid in show biz. &#8230; Then ask your child if they want to be in show biz.  &#8230; If their response is, &#8220;I&#8217;m too shy&#8221; but you see a twinkle in their eye, and maybe a partial smile that they&#8217;re trying to hide from you by putting [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/my-child-is-too-shy-to-be-in-show-business/">My Child is Too Shy to Be in Show Business</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/my-child-is-too-shy-to-be-in-show-business/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Avoid A Boring Audition</title>
		<link>https://www.nycastings.com/how-to-avoid-a-boring-audition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-avoid-a-boring-audition</link>
		<comments>https://www.nycastings.com/how-to-avoid-a-boring-audition/#comments</comments>
		<pubDate>Wed, 11 Apr 2018 17:30:45 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[Avoid boring auditions]]></category>
		<category><![CDATA[booking]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Lines]]></category>
		<category><![CDATA[rehearse]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[success]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=12661</guid>
		<description><![CDATA[<p>“Self-consciousness is the enemy of all art, be it acting, writing, painting, or living itself, which is the greatest art of all.” – Ray Bradbury It&#8217;s difficult to explain to one&#8217;s non-actor friends just what a weird tight-wire act we walk every time we go out to audition.  Sure, most civilians will have some degree [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-avoid-a-boring-audition/">How To Avoid A Boring Audition</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/how-to-avoid-a-boring-audition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dialogue Auditions: How to Kill it Every Time</title>
		<link>https://www.nycastings.com/dialogue-auditions-how-to-kill-it-every-time/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dialogue-auditions-how-to-kill-it-every-time</link>
		<comments>https://www.nycastings.com/dialogue-auditions-how-to-kill-it-every-time/#comments</comments>
		<pubDate>Fri, 22 Sep 2017 16:38:47 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[actors talk about characters]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Mastering Monologues]]></category>
		<category><![CDATA[Monologues]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10635</guid>
		<description><![CDATA[<p>We spend a lot of time talking about&#8211;and let’s be honest, stressing about&#8211;monologue auditions. It makes sense that our focus would be there of course; after all, generally speaking the monologue audition is the first step. It’s the initial test that earns you the right to compete at the next stage for a role. So [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/dialogue-auditions-how-to-kill-it-every-time/">Dialogue Auditions: How to Kill it Every Time</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/dialogue-auditions-how-to-kill-it-every-time/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ACTORS: KILL THE PLAN</title>
		<link>https://www.nycastings.com/actors-kill-the-plan/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=actors-kill-the-plan</link>
		<comments>https://www.nycastings.com/actors-kill-the-plan/#comments</comments>
		<pubDate>Thu, 06 Jul 2017 21:03:56 +0000</pubDate>
		<dc:creator><![CDATA[George Gallagher]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10161</guid>
		<description><![CDATA[<p>When an actor comes to study with me for an audition the first thing we do is &#8220;kill the plan.&#8221; Somewhere in their preparation they&#8217;ve had what I call, the &#8220;performance fantasy.&#8221; Instead of imagining the world of the character, they&#8217;ve actually imagined how they will play the scene. Among beginning actors there is a [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/actors-kill-the-plan/">ACTORS: KILL THE PLAN</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/actors-kill-the-plan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stop Waiting Around For Your Dream Role &#8211; Cast Yourself In Your Own Film!</title>
		<link>https://www.nycastings.com/stop-waiting-around-for-your-dream-role-cast-yourself-in-your-own-film/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stop-waiting-around-for-your-dream-role-cast-yourself-in-your-own-film</link>
		<comments>https://www.nycastings.com/stop-waiting-around-for-your-dream-role-cast-yourself-in-your-own-film/#comments</comments>
		<pubDate>Wed, 05 Jul 2017 16:30:31 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[imsdb]]></category>
		<category><![CDATA[make your own movie]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[troupes]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10144</guid>
		<description><![CDATA[<p>It is an undeniable truth that acting as a career is very much a hit or miss proposition. That’s why your mom tried to discourage you from choosing the path you’re on: not out of any maliciousness or desire to see her precious offspring unfulfilled in life. Just simply because a steady 9-5 job in [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/stop-waiting-around-for-your-dream-role-cast-yourself-in-your-own-film/">Stop Waiting Around For Your Dream Role &#8211; Cast Yourself In Your Own Film!</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/stop-waiting-around-for-your-dream-role-cast-yourself-in-your-own-film/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The 5 Things To Do Once You&#8217;re Handed A New Script</title>
		<link>https://www.nycastings.com/the-5-things-to-do-once-youre-handed-a-new-script/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-5-things-to-do-once-youre-handed-a-new-script</link>
		<comments>https://www.nycastings.com/the-5-things-to-do-once-youre-handed-a-new-script/#comments</comments>
		<pubDate>Thu, 07 Apr 2016 19:51:33 +0000</pubDate>
		<dc:creator><![CDATA[Michelle Lulic]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[chracters]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=6300</guid>
		<description><![CDATA[<p>You finally hear those three little words: You booked it! That’s right. You have your next acting gig before you and the character you have been chosen to perceive is completely dependent on you to give it life. Before you know it the performance/shoot dates are set, you’re mingling with the cast and crew, and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-5-things-to-do-once-youre-handed-a-new-script/">The 5 Things To Do Once You&#8217;re Handed A New Script</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/the-5-things-to-do-once-youre-handed-a-new-script/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>POINT OF NO RETURN &#8211; Screenplay writer Dianne St. George takes us on her determined journey</title>
		<link>https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2</link>
		<comments>https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/#comments</comments>
		<pubDate>Mon, 11 Oct 2010 10:07:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[DGA]]></category>
		<category><![CDATA[dianne st. george]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[getting your script made]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[movie script]]></category>
		<category><![CDATA[published]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[story live]]></category>
		<category><![CDATA[storyline]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/</guid>
		<description><![CDATA[<p>You THINK you&#8217;ve heard this story&#8230; Page 5: A writer decides to create a screenplay about &#8220;what she knows.&#8221; Page 15: A friend offers up inspiring advice that gets this writer going. Page 30: The point of no return &#8211; Woman vows to finish the script, no matter what! Page 90: Violins signal tough times [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/">POINT OF NO RETURN &#8211; Screenplay writer Dianne St. George takes us on her determined journey</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
		<wfw:commentRss>https://www.nycastings.com/point-of-no-return-screenplay-writer-dianne-st-george-takes-us-on-her-determined-journey-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
