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	<title>NYCastings - DirectSubmit &#187; actors equity</title>
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		<title>Surviving Show Business &#8211; Musical Theatre with JR Bruno from Book of Mormon</title>
		<link>https://www.nycastings.com/theatre/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=theatre</link>
		<comments>https://www.nycastings.com/theatre/#comments</comments>
		<pubDate>Mon, 30 Jul 2018 16:07:56 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[JR Bruno]]></category>
		<category><![CDATA[Musical Theatre]]></category>
		<category><![CDATA[Theatre Trainning]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=14130</guid>
		<description><![CDATA[<p>This episode is all about Musical Theatre! Broadway actor, JR Bruno talk about his time on Book of Mormon, both the Broadway version and the touring companies. We also cover getting started in theatre, training, getting agents, touring theatre and auditioning.</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/theatre/">Surviving Show Business &#8211; Musical Theatre with JR Bruno from Book of Mormon</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Union or Non-Union: The Most Important Thing You Need to Know as an Actor</title>
		<link>https://www.nycastings.com/union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor</link>
		<comments>https://www.nycastings.com/union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor/#comments</comments>
		<pubDate>Thu, 14 Sep 2017 20:53:28 +0000</pubDate>
		<dc:creator><![CDATA[Shaun Grant]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Brock Kelly]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[indie films]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Supernatural]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10600</guid>
		<description><![CDATA[<p>One of the most important decisions you will ever make as an actor is whether or not to join the SAG-AFTRA Union. Now at first glance, this seems like the most viable option for any actor with experience and credits. But, and that’s a huge but, it’s not always that black and white. The number [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor/">Union or Non-Union: The Most Important Thing You Need to Know as an Actor</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>2017 Tony Award Nominations</title>
		<link>https://www.nycastings.com/2017-tony-award-nominations/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2017-tony-award-nominations</link>
		<comments>https://www.nycastings.com/2017-tony-award-nominations/#comments</comments>
		<pubDate>Tue, 02 May 2017 15:09:07 +0000</pubDate>
		<dc:creator><![CDATA[Brittany Hogan Alomar]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[2017 tony awards]]></category>
		<category><![CDATA[A Doll’s House Part 2 by Lucas Hnath]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[broadway plays]]></category>
		<category><![CDATA[casting for broadway]]></category>
		<category><![CDATA[Come From Away]]></category>
		<category><![CDATA[Dear Evan Hansen]]></category>
		<category><![CDATA[drama awards]]></category>
		<category><![CDATA[Groundhog Day]]></category>
		<category><![CDATA[Indecent by Paula Vogel]]></category>
		<category><![CDATA[Jitney]]></category>
		<category><![CDATA[Natasha Pierre & the Great Comet of 1812]]></category>
		<category><![CDATA[Oslo by J.T. Rogers]]></category>
		<category><![CDATA[Present Laughter]]></category>
		<category><![CDATA[Six Degrees of Separation]]></category>
		<category><![CDATA[Sweat by Lynn Nottage]]></category>
		<category><![CDATA[The Little Foxes]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=9127</guid>
		<description><![CDATA[<p>What a season! The 2017 Tony Award Nominations were announced this morning by Jane Krakowski and Christopher Jackson. The Great Comet leads the pack with a total of 12 nominations, followed by Hello, Dolly! with 10, and Dear Evan Hansen with 9. A Doll’s House, Part 2 received the most nominations for a play with [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/2017-tony-award-nominations/">2017 Tony Award Nominations</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Practice Makes Progress &#8211; A Singers Guide to Broadway</title>
		<link>https://www.nycastings.com/practice-makes-progress-a-singers-guide-to-broadway/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=practice-makes-progress-a-singers-guide-to-broadway</link>
		<comments>https://www.nycastings.com/practice-makes-progress-a-singers-guide-to-broadway/#comments</comments>
		<pubDate>Mon, 10 Apr 2017 16:54:42 +0000</pubDate>
		<dc:creator><![CDATA[Brittany Hogan Alomar]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Beautiful: The Carole King Musical]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Jersey boys]]></category>
		<category><![CDATA[Musical Theatre]]></category>
		<category><![CDATA[Once]]></category>
		<category><![CDATA[Singing]]></category>
		<category><![CDATA[Sweeney Todd]]></category>
		<category><![CDATA[Triple Threat]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=8350</guid>
		<description><![CDATA[<p>“I want to be on Broadway!” How many of you have ever said something along those lines? And how many of you are really doing what it takes to make it? It is easy to attend a Broadway performance and be completely inspired by one of the actors or actresses on stage – their beauty, [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/practice-makes-progress-a-singers-guide-to-broadway/">Practice Makes Progress &#8211; A Singers Guide to Broadway</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Minorities in Film &amp; TV &#8211; Corina Calderon &amp;  Jessica Pimentel</title>
		<link>https://www.nycastings.com/minorities-in-film-tv-corina-calderon-jessica-pimentel/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=minorities-in-film-tv-corina-calderon-jessica-pimentel</link>
		<comments>https://www.nycastings.com/minorities-in-film-tv-corina-calderon-jessica-pimentel/#comments</comments>
		<pubDate>Sun, 07 Aug 2016 11:52:36 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[acting auditions]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[actresses]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[aspiring actors]]></category>
		<category><![CDATA[Atlanta]]></category>
		<category><![CDATA[casting calls]]></category>
		<category><![CDATA[Corina Calderon]]></category>
		<category><![CDATA[david banks]]></category>
		<category><![CDATA[DC Comics film Suicide Squad]]></category>
		<category><![CDATA[Famous]]></category>
		<category><![CDATA[Jessica Pimentel]]></category>
		<category><![CDATA[Maria Ruiz]]></category>
		<category><![CDATA[Netflix's Orange is the New Black]]></category>
		<category><![CDATA[No-Union]]></category>
		<category><![CDATA[nonunion]]></category>
		<category><![CDATA[OITNB]]></category>
		<category><![CDATA[Orange is the new black]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[scripts]]></category>
		<category><![CDATA[Suicide Squad]]></category>
		<category><![CDATA[talent agencies]]></category>
		<category><![CDATA[The Crusher]]></category>
		<category><![CDATA[TV Show]]></category>
		<category><![CDATA[unions]]></category>
		<category><![CDATA[Victoria Cartagena]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=6883</guid>
		<description><![CDATA[<p>Unless you&#8217;re on the fourth planet of the star Sirius, you&#8217;ve probably heard all about diversity in film and television – especially in the past couple of years. She made a comment to me once about how this business is such a &#8216;white girl thing&#8217;. &#8211; Corina Calderon discussing her former acting coach. Minorities in show [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/minorities-in-film-tv-corina-calderon-jessica-pimentel/">Minorities in Film &#038; TV &#8211; Corina Calderon &#038;  Jessica Pimentel</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>Acting Stage Terms Glossary</title>
		<link>https://www.nycastings.com/acting-stage-terms-glossary/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=acting-stage-terms-glossary</link>
		<comments>https://www.nycastings.com/acting-stage-terms-glossary/#comments</comments>
		<pubDate>Tue, 12 Jul 2016 19:12:05 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[ACTING STAGE TERMS GLOSSARY]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Equity Actors]]></category>
		<category><![CDATA[Musical Theatre]]></category>
		<category><![CDATA[off-broadway]]></category>
		<category><![CDATA[off-off broadway]]></category>
		<category><![CDATA[plays]]></category>
		<category><![CDATA[playwrite]]></category>
		<category><![CDATA[stage play]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[theatre terminology]]></category>
		<category><![CDATA[theatre terms]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=6623</guid>
		<description><![CDATA[<p>ACTING STAGE TERMS GLOSSARY Common Theater Terms Auditions: Readings before a director to determine casting of a play. Call Backs: An additional audition for the final actors being considered. Similar to semifinals in sports. Clear the Stage: A direction given to all actors, musicians, and technicians to leave the stage area prior to the beginning [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/acting-stage-terms-glossary/">Acting Stage Terms Glossary</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>BROADWAY &amp; BEYOND w ALISON EWING, RINA SKLAR &amp; JACK DABDOUB</title>
		<link>https://www.nycastings.com/broadway-beyond-w-alison-ewing-rina-sklar-jack-dabdoub/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=broadway-beyond-w-alison-ewing-rina-sklar-jack-dabdoub</link>
		<comments>https://www.nycastings.com/broadway-beyond-w-alison-ewing-rina-sklar-jack-dabdoub/#comments</comments>
		<pubDate>Mon, 09 Mar 2015 16:16:00 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[ALISON EWING]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[DAVID MURPHY]]></category>
		<category><![CDATA[DRAMATISTS PLAY SERVICE INC.]]></category>
		<category><![CDATA[equity auditions]]></category>
		<category><![CDATA[JACK DABDOUB]]></category>
		<category><![CDATA[new york casting]]></category>
		<category><![CDATA[union vs. non-union]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/broadway-beyond-w-alison-ewing-rina-sklar-jack-dabdoub/</guid>
		<description><![CDATA[<p>Oftentimes there is confusion about working on Broadway vs. Regional vs. Community theater. There are so many factors that come into play (pun intended, haha. Ok so I need a new joke, whatever). Back on track. There are pay scale differences, union vs. non-union questions and a bunch of other things that go on behind [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/broadway-beyond-w-alison-ewing-rina-sklar-jack-dabdoub/">BROADWAY &#038; BEYOND w ALISON EWING, RINA SKLAR &#038; JACK DABDOUB</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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