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	<title>NYCastings - DirectSubmit &#187; Director</title>
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	<description>Casting Tools for Casting Directors and On-Camera Talent</description>
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		<title>An Exclusive Insight into Sofia Dobrushin&#8217;s Artistic World</title>
		<link>https://www.nycastings.com/an-exclusive-insight-into-sofia-dobrushins-artistic-world/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-exclusive-insight-into-sofia-dobrushins-artistic-world</link>
		<comments>https://www.nycastings.com/an-exclusive-insight-into-sofia-dobrushins-artistic-world/#comments</comments>
		<pubDate>Mon, 12 Aug 2024 19:00:27 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[Apple TV]]></category>
		<category><![CDATA[Ars Nova]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Booger movie]]></category>
		<category><![CDATA[Brooklyn Comedy Collective]]></category>
		<category><![CDATA[Brooklyn Womens Film Festival]]></category>
		<category><![CDATA[Caring Across Generations]]></category>
		<category><![CDATA[Catherine Bloom]]></category>
		<category><![CDATA[comedian]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Comedy Artist Makers Program]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[funny jokes]]></category>
		<category><![CDATA[Gemini Venus]]></category>
		<category><![CDATA[Ilana Glazer]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
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		<category><![CDATA[Marymount Manhattan College]]></category>
		<category><![CDATA[Northeastern New York]]></category>
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		<category><![CDATA[optometrist]]></category>
		<category><![CDATA[producer]]></category>
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		<category><![CDATA[Sofia Dobrushin]]></category>
		<category><![CDATA[Sofia Lore]]></category>
		<category><![CDATA[The Terminator]]></category>
		<category><![CDATA[WeCrashed]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25474</guid>
		<description><![CDATA[<p>In this exclusive DirectSubmit NYCastings interview, Sofia Dobrushin opens up about her journey, from her early inspirations to her latest projects and classes. She shares insights into the creative processes that drive her, the challenges she faces as a modern artist, and the passion that fuels her work. Dobrushin can currently be seen in the [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/an-exclusive-insight-into-sofia-dobrushins-artistic-world/">An Exclusive Insight into Sofia Dobrushin&#8217;s Artistic World</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</title>
		<link>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors</link>
		<comments>https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/#comments</comments>
		<pubDate>Mon, 15 Apr 2024 17:55:36 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[5 Ways to Cultivate a Versatile Acting Range]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
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		<category><![CDATA[AEA]]></category>
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		<category><![CDATA[audition]]></category>
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		<category><![CDATA[Body Language]]></category>
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		<category><![CDATA[conflict]]></category>
		<category><![CDATA[cultural influences]]></category>
		<category><![CDATA[Director]]></category>
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		<category><![CDATA[emotional landscape]]></category>
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		<category><![CDATA[experiment]]></category>
		<category><![CDATA[holistic understanding]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[internal monologue]]></category>
		<category><![CDATA[journaling]]></category>
		<category><![CDATA[mark up]]></category>
		<category><![CDATA[mime]]></category>
		<category><![CDATA[narrative arc]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[Objective]]></category>
		<category><![CDATA[open mind]]></category>
		<category><![CDATA[portrayal]]></category>
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		<category><![CDATA[super-objective]]></category>
		<category><![CDATA[Time]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=25228</guid>
		<description><![CDATA[<p>A Guide for Actors Versatility is key. A versatile actor can seamlessly transition between different roles, genres, and mediums, making them invaluable in the industry. But how does one cultivate such a diverse skill set? Here are five ways to develop a versatile acting range: 1. Embrace Continuous Learning At the heart of versatility lies [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/5-ways-to-cultivate-a-versatile-acting-range-a-guide-for-actors/">5 Ways to Cultivate a Versatile Acting Range – A Guide for Actors</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Producers and Directors &#8211; Decoding Roles in Film and TV Production</title>
		<link>https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=producers-and-directors-decoding-roles-in-film-and-tv-production</link>
		<comments>https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/#comments</comments>
		<pubDate>Mon, 11 Sep 2023 21:31:09 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Academy Award]]></category>
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		<category><![CDATA[acting techniques]]></category>
		<category><![CDATA[Action]]></category>
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		<category><![CDATA[Adam Somner]]></category>
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		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Assistant Director]]></category>
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		<category><![CDATA[Best Director]]></category>
		<category><![CDATA[Bridge of Spies]]></category>
		<category><![CDATA[Burt 'Skip' Burnam]]></category>
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		<category><![CDATA[drama]]></category>
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		<category><![CDATA[executive producer]]></category>
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		<category><![CDATA[Goodfellas]]></category>
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		<category><![CDATA[iconic moments]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Inception]]></category>
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		<category><![CDATA[intense realism]]></category>
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		<category><![CDATA[North by Northwest]]></category>
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		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[psychological complexity]]></category>
		<category><![CDATA[Rear Window]]></category>
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		<category><![CDATA[Saturday night Live]]></category>
		<category><![CDATA[Scandal]]></category>
		<category><![CDATA[Shonda Rhimes]]></category>
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		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Strange Days]]></category>
		<category><![CDATA[suspense genres]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Birds]]></category>
		<category><![CDATA[The Girl with the Dragon Tattoo]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[The Shawshank Redemption]]></category>
		<category><![CDATA[the west wing]]></category>
		<category><![CDATA[thriller]]></category>
		<category><![CDATA[Transformers]]></category>
		<category><![CDATA[Zero Dark Thirty]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24632</guid>
		<description><![CDATA[<p>The film and television industry is known for its complex hierarchy and multitude of roles. Producers and Directors are way up there on the ladder. Before we get into examples, let’s explore the definitions. The Executive Producer (EP) often assumes the role of supreme authority within a television program, while in films, they can act [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/producers-and-directors-decoding-roles-in-film-and-tv-production/">Producers and Directors &#8211; Decoding Roles in Film and TV Production</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Filming Scenes Out Of Sequence: Tips To Stay In The Character’s Headspace</title>
		<link>https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace</link>
		<comments>https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/#comments</comments>
		<pubDate>Wed, 07 Dec 2022 20:45:44 +0000</pubDate>
		<dc:creator><![CDATA[Jim Belden]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Anthony Hopkins]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[choices]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[memorization]]></category>
		<category><![CDATA[Prior Action]]></category>
		<category><![CDATA[scenes]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23535</guid>
		<description><![CDATA[<p>If you’ve been cast in a film, you may find the shooting schedule to be a bit confusing when you first receive it. Maybe you’re filming your death scene first, or doing a grand emotional scene before the scenes building up to it. When we watch a movie, we have a chance to get to [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/filming-scenes-out-of-sequence-tips-to-stay-in-the-characters-headspace/">Filming Scenes Out Of Sequence: Tips To Stay In The Character’s Headspace</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>How Murdered and Abused Women Finally Got their Due on TV</title>
		<link>https://www.nycastings.com/how-murdered-and-abused-women-finally-got-their-due-on-tv/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-murdered-and-abused-women-finally-got-their-due-on-tv</link>
		<comments>https://www.nycastings.com/how-murdered-and-abused-women-finally-got-their-due-on-tv/#comments</comments>
		<pubDate>Tue, 22 Nov 2022 18:40:54 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[" "Law & Order: SVU]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actors who play victims]]></category>
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		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[bend and snap]]></category>
		<category><![CDATA[Bridgerton]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[elisabeth moss]]></category>
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		<category><![CDATA[Evan Rachel Wood]]></category>
		<category><![CDATA[Frasier]]></category>
		<category><![CDATA[Friends]]></category>
		<category><![CDATA[Game of thrones]]></category>
		<category><![CDATA[grey's anatomy]]></category>
		<category><![CDATA[Harvey Weinstein]]></category>
		<category><![CDATA[House of the Dragon]]></category>
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		<category><![CDATA[how to portray a victim]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Ilene Chaiken]]></category>
		<category><![CDATA[Inventing Anna]]></category>
		<category><![CDATA[Jamie Tarses]]></category>
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		<category><![CDATA[Kathy Greenberg]]></category>
		<category><![CDATA[Leave it to Beaver]]></category>
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		<category><![CDATA[strong female characters]]></category>
		<category><![CDATA[The Brady Bunch]]></category>
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		<category><![CDATA[the good wife]]></category>
		<category><![CDATA[The Handmaid's Tale]]></category>
		<category><![CDATA[The L Word Generation Q]]></category>
		<category><![CDATA[True Blood]]></category>
		<category><![CDATA[victims of abuse]]></category>
		<category><![CDATA[violence on TV]]></category>
		<category><![CDATA[Westworld]]></category>
		<category><![CDATA[women behind the scenes in Hollywood]]></category>
		<category><![CDATA[Your Honor]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23427</guid>
		<description><![CDATA[<p>Yes, TV has come a long way since the days of Leave it to Beaver and The Brady Bunch. There are now entire networks devoted to crime and violence, and many of these shows feature strong female characters who have been victimized by murder or abuse. Elisabeth Moss in The Handmaid&#8217;s Tale For too long, [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-murdered-and-abused-women-finally-got-their-due-on-tv/">How Murdered and Abused Women Finally Got their Due on TV</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>6 Secrets of Great Actors: What You Can Learn</title>
		<link>https://www.nycastings.com/6-secrets-of-great-actors-what-you-can-learn/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=6-secrets-of-great-actors-what-you-can-learn</link>
		<comments>https://www.nycastings.com/6-secrets-of-great-actors-what-you-can-learn/#comments</comments>
		<pubDate>Tue, 01 Nov 2022 17:29:53 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
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		<category><![CDATA[Atlantic Ocean]]></category>
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		<category><![CDATA[character motivation]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Dirty Dancing]]></category>
		<category><![CDATA[Draco Malfoy]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[fearless]]></category>
		<category><![CDATA[Geralt of Rivia]]></category>
		<category><![CDATA[great performances]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[Henry Cavill]]></category>
		<category><![CDATA[hot to take direction]]></category>
		<category><![CDATA[how to act out an emotional scene]]></category>
		<category><![CDATA[how to be a great actor]]></category>
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		<category><![CDATA[Ilana Rapp]]></category>
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		<category><![CDATA[scene partner]]></category>
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		<category><![CDATA[The Addams Family]]></category>
		<category><![CDATA[The Iron Lady]]></category>
		<category><![CDATA[The Lord of the Rings]]></category>
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		<category><![CDATA[Tom Felton]]></category>
		<category><![CDATA[Viggo Mortensen]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23375</guid>
		<description><![CDATA[<p>Some of the world’s greatest actors have a few secrets up their sleeves that help them to become the amazing performers they are. These secrets, while they may be different for each actor, all share one common goal: to create a believable and compelling character that audiences will love. Or hate, as in the case [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/6-secrets-of-great-actors-what-you-can-learn/">6 Secrets of Great Actors: What You Can Learn</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>Don’t Get Blocked; Read the Submission Instructions</title>
		<link>https://www.nycastings.com/dont-get-blocked-read-the-submission-instructions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dont-get-blocked-read-the-submission-instructions</link>
		<comments>https://www.nycastings.com/dont-get-blocked-read-the-submission-instructions/#comments</comments>
		<pubDate>Mon, 19 Sep 2022 18:53:31 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[ask for help]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[being trusted]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[DirectSubmit]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[following directions]]></category>
		<category><![CDATA[following instructions]]></category>
		<category><![CDATA[how to follow directions]]></category>
		<category><![CDATA[how to follow intructions]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[trust]]></category>
		<category><![CDATA[trustworthy]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23174</guid>
		<description><![CDATA[<p>My father taught me a very important lesson that he learned when he was a boy in school. It was about following the instructions. Very simple, yet why is it so hard to do and how can it affect you from getting auditions? The story my dad told me is that his class was given [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/dont-get-blocked-read-the-submission-instructions/">Don’t Get Blocked; Read the Submission Instructions</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Actors Harness the Power of Persistence and Determination</title>
		<link>https://www.nycastings.com/how-actors-harness-the-power-of-persistence-and-determination/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-actors-harness-the-power-of-persistence-and-determination</link>
		<comments>https://www.nycastings.com/how-actors-harness-the-power-of-persistence-and-determination/#comments</comments>
		<pubDate>Fri, 26 Aug 2022 17:04:22 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting chops]]></category>
		<category><![CDATA[acting class]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[Actress]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[equity]]></category>
		<category><![CDATA[How To Get Away With Murder]]></category>
		<category><![CDATA[hustle]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Titanic]]></category>
		<category><![CDATA[Viola Davis]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=23011</guid>
		<description><![CDATA[<p>Most people think that in order to be an actor, all you need is good looks and talent. However, the truth is that it takes a lot more than that to be successful in this industry. In addition to natural talent, actors need to have persistence and determination if they want to make it big. [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-actors-harness-the-power-of-persistence-and-determination/">How Actors Harness the Power of Persistence and Determination</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>What&#8217;s a 1st Assistant Director?</title>
		<link>https://www.nycastings.com/whats-a-1st-assistant-director/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=whats-a-1st-assistant-director</link>
		<comments>https://www.nycastings.com/whats-a-1st-assistant-director/#comments</comments>
		<pubDate>Mon, 13 Apr 2020 17:57:27 +0000</pubDate>
		<dc:creator><![CDATA[Amber Sherman]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[1st Assistant Director]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[film production]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=18884</guid>
		<description><![CDATA[<p>So, let&#8217;s talk about the 1st Assistant Director, what they do, their responsibilities, and what are some characteristics/skills they should have. Equipment I use: Canon Rebel T4i &#8211; https://amzn.to/2MGXksm Boom Rode Mic &#8211; https://amzn.to/2N9rq7g GVM Led Bi-Color Video Light: https://amzn.to/2IVCG4z Any questions about Film ask away!! Anything you want me to cover? Let me know!! [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/whats-a-1st-assistant-director/">What&#8217;s a 1st Assistant Director?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Acting Terms Everyone Should Know</title>
		<link>https://www.nycastings.com/acting-terms-everyone-should-know/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=acting-terms-everyone-should-know</link>
		<comments>https://www.nycastings.com/acting-terms-everyone-should-know/#comments</comments>
		<pubDate>Wed, 06 Nov 2019 18:00:35 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[1-2 Min]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[acting terms]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Air Checks]]></category>
		<category><![CDATA[Atlanta]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[Brooke Thomas]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[casting notices]]></category>
		<category><![CDATA[commercial casting]]></category>
		<category><![CDATA[commercials]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[DirectSubmit]]></category>
		<category><![CDATA[Dramatic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Terminology]]></category>
		<category><![CDATA[Headshots]]></category>
		<category><![CDATA[house casting]]></category>
		<category><![CDATA[kids]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[Mary Egan]]></category>
		<category><![CDATA[Miami]]></category>
		<category><![CDATA[modeling]]></category>
		<category><![CDATA[monologue]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[show business]]></category>
		<category><![CDATA[success]]></category>
		<category><![CDATA[talent agent]]></category>
		<category><![CDATA[talent agents]]></category>
		<category><![CDATA[Terminology]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Theater Terminology]]></category>
		<category><![CDATA[theatre terminology]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=17050</guid>
		<description><![CDATA[<p>Here is a great list of acting terms and Entertainment industry terms which you will hear often on film sets, in theatre productions and in recording studios. &#160; Above the Line &#8211; A budgetary term for movies and TV. The line refers to money budgeted for creative talent, such as actors, writers, directors, and producers. Academic [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/acting-terms-everyone-should-know/">Acting Terms Everyone Should Know</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>How To Get Directors To Notice You</title>
		<link>https://www.nycastings.com/how-to-get-directors-to-notice-you/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-get-directors-to-notice-you</link>
		<comments>https://www.nycastings.com/how-to-get-directors-to-notice-you/#comments</comments>
		<pubDate>Mon, 21 Oct 2019 16:58:27 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Monologues]]></category>
		<category><![CDATA[peter jackson]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16216</guid>
		<description><![CDATA[<p>“A star does not compete with other stars around it; it just shines.”  – author Matshona Dhliwayo Anyone who has been in the acting game for more than five minutes realizes that it&#8217;s a crowded industry. Who among us hasn&#8217;t waited far too long in a hot, crowded room, absorbing the nervous, stressed-out energy of [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-get-directors-to-notice-you/">How To Get Directors To Notice You</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Expressions: What Your Face Tells The Audience</title>
		<link>https://www.nycastings.com/expressions-what-your-face-tells-the-audience/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=expressions-what-your-face-tells-the-audience</link>
		<comments>https://www.nycastings.com/expressions-what-your-face-tells-the-audience/#comments</comments>
		<pubDate>Thu, 15 Aug 2019 18:17:48 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Assessment]]></category>
		<category><![CDATA[Chuck Jones]]></category>
		<category><![CDATA[D.W. Griffith]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Emotions]]></category>
		<category><![CDATA[Facial Expression]]></category>
		<category><![CDATA[RBF]]></category>
		<category><![CDATA[Richelle E. Goodrich]]></category>
		<category><![CDATA[The close-up]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16221</guid>
		<description><![CDATA[<p>“The close-up, according to D.W. Griffith, allows subtle changes of facial expression – the raising of an eyebrow or the flicker of a smile – to become part of the action.”  – Chuck Jones “Few realize how loud their expressions really are. Be kind with what you wordlessly say.”  – author Richelle E. Goodrich  I&#8217;ve [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/expressions-what-your-face-tells-the-audience/">Expressions: What Your Face Tells The Audience</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
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		<title>Attending An Agent Or Casting Director Showcase For The First Time – Don&#8217;t Freak Out!</title>
		<link>https://www.nycastings.com/attending-an-agent-or-casting-director-showcase-for-the-first-time-dont-freak-out/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=attending-an-agent-or-casting-director-showcase-for-the-first-time-dont-freak-out</link>
		<comments>https://www.nycastings.com/attending-an-agent-or-casting-director-showcase-for-the-first-time-dont-freak-out/#comments</comments>
		<pubDate>Thu, 11 Apr 2019 15:28:14 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[acting class]]></category>
		<category><![CDATA[agents]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[get an agent]]></category>
		<category><![CDATA[modeling]]></category>
		<category><![CDATA[talent showcase]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15625</guid>
		<description><![CDATA[<p>So, here you are. You&#8217;re no longer a fresh-faced young newbie just out of a theater program or just climbing off bus in the big city for the first time. You&#8217;ve been around for a bit, you&#8217;re starting to feel like you&#8217;ve got your audition game down, or at least it&#8217;s developing nicely. You&#8217;re a [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/attending-an-agent-or-casting-director-showcase-for-the-first-time-dont-freak-out/">Attending An Agent Or Casting Director Showcase For The First Time – Don&#8217;t Freak Out!</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>On Set With Director / Producer / Writer Michael Feifer</title>
		<link>https://www.nycastings.com/on-set-with-directorproducerwriter-michael-feifer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=on-set-with-directorproducerwriter-michael-feifer</link>
		<comments>https://www.nycastings.com/on-set-with-directorproducerwriter-michael-feifer/#comments</comments>
		<pubDate>Wed, 10 Apr 2019 16:14:04 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[AD]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[craft of acting]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[emotional tool chest]]></category>
		<category><![CDATA[FCWTP]]></category>
		<category><![CDATA[Fraternity Demon]]></category>
		<category><![CDATA[Jennifer Carpenter]]></category>
		<category><![CDATA[Lead Actress]]></category>
		<category><![CDATA[Lethal Eviction]]></category>
		<category><![CDATA[Michael Feifer]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[The Exorcism of Emily Rose]]></category>
		<category><![CDATA[Val Kilmer]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15601</guid>
		<description><![CDATA[<p>Whether it&#8217;s AD-ing for Al Pacino, directing Val Kilmer, or working on low-budget Lifetime Channel movies, Michael Feifer always brings his A-game on set. If there&#8217;s one thing you learn working with actors and other creatives in the film industry it&#8217;s that we all must carve our own paths. For every person you run into who [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/on-set-with-directorproducerwriter-michael-feifer/">On Set With Director / Producer / Writer Michael Feifer</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Surviving Show Business with Showrunner &amp; Director Jeff Fisher</title>
		<link>https://www.nycastings.com/surviving-show-business-with-showrunner-director-jeff-fisher/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=surviving-show-business-with-showrunner-director-jeff-fisher</link>
		<comments>https://www.nycastings.com/surviving-show-business-with-showrunner-director-jeff-fisher/#comments</comments>
		<pubDate>Thu, 06 Sep 2018 20:54:23 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Jeff Fisher]]></category>
		<category><![CDATA[Keeping Up With The Kardashains]]></category>
		<category><![CDATA[Showrunner]]></category>
		<category><![CDATA[Surviving Show business]]></category>
		<category><![CDATA[The Real Housewives of Atlanta]]></category>
		<category><![CDATA[The Real World/Road Rules Challenge]]></category>
		<category><![CDATA[The Simple Life]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=14447</guid>
		<description><![CDATA[<p>On this episode of Surviving Show Business with Aaron Seals we talk to Jeff Fisher. Jeff is best known as showrunner/director with experience on shows like “Keeping Up With The Kardashains,” &#8220;The Real Housewives of Atlanta,&#8221; &#8220;The Simple Life&#8221; and &#8220;The Real World/Road Rules Challenge.” He’s written, directed and produced two independent films, both of [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/surviving-show-business-with-showrunner-director-jeff-fisher/">Surviving Show Business with Showrunner &#038; Director Jeff Fisher</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>On-Camera: Five Ways To Be Consistent – And Consistently Outstanding</title>
		<link>https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=on-camera-five-ways-to-be-consistent-and-consistently-outstanding</link>
		<comments>https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/#comments</comments>
		<pubDate>Fri, 25 May 2018 14:47:41 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting technique]]></category>
		<category><![CDATA[Blocking]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Eye Line]]></category>
		<category><![CDATA[Objective]]></category>
		<category><![CDATA[on-camera acting]]></category>
		<category><![CDATA[Props]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=13641</guid>
		<description><![CDATA[<p>When newer actors get work on films or television shows, there is sometimes a bit of a learning curve when it comes to delivering for the camera, especially doing multiple takes of the same scene. There are so many factors that come into play beyond our simple viewpoint as actors. We&#8217;re usually focused on finding [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/on-camera-five-ways-to-be-consistent-and-consistently-outstanding/">On-Camera: Five Ways To Be Consistent – And Consistently Outstanding</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>Five Reasons (Plus One Bonus Reason) Why You Didn&#8217;t Get The Callback</title>
		<link>https://www.nycastings.com/five-reasons-plus-one-bonus-reason-why-you-didnt-get-the-callback/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=five-reasons-plus-one-bonus-reason-why-you-didnt-get-the-callback</link>
		<comments>https://www.nycastings.com/five-reasons-plus-one-bonus-reason-why-you-didnt-get-the-callback/#comments</comments>
		<pubDate>Mon, 02 Apr 2018 18:13:00 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[Callback]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Confidence]]></category>
		<category><![CDATA[Director]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=12545</guid>
		<description><![CDATA[<p>There&#8217;s nothing like that feeling when you walk out of an audition feeling great, knowing in your bones that you killed it. You remembered the lines, you were funny and charming with the casting team, they laughed at your stupid jokes, and you could sense them really paying attention when you read. That phone call [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/five-reasons-plus-one-bonus-reason-why-you-didnt-get-the-callback/">Five Reasons (Plus One Bonus Reason) Why You Didn&#8217;t Get The Callback</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>How to Convince a Top Tier Agent that You&#8217;re Worthy of Representation</title>
		<link>https://www.nycastings.com/how-to-convince-a-top-tier-agent-that-youre-worthy-of-representation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-convince-a-top-tier-agent-that-youre-worthy-of-representation</link>
		<comments>https://www.nycastings.com/how-to-convince-a-top-tier-agent-that-youre-worthy-of-representation/#comments</comments>
		<pubDate>Wed, 20 Sep 2017 18:06:01 +0000</pubDate>
		<dc:creator><![CDATA[Shaun Grant]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Abrams Artists Agency]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[agency modeling]]></category>
		<category><![CDATA[Alyson Silverberg]]></category>
		<category><![CDATA[Anthony Barnao]]></category>
		<category><![CDATA[CAA]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[FOX’s Jane the Virgin]]></category>
		<category><![CDATA[John Bernecker]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[star quality]]></category>
		<category><![CDATA[talent agent]]></category>
		<category><![CDATA[UTA]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10619</guid>
		<description><![CDATA[<p>When you move to Los Angeles, as an actor, one of the first things on your mind is getting that top notch agent or manager. But for most, unless you have been referred over, you’ve got to bring something to the table to convince them you are worthy of being represented. So how do we [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-convince-a-top-tier-agent-that-youre-worthy-of-representation/">How to Convince a Top Tier Agent that You&#8217;re Worthy of Representation</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Why Didn’t I Get It? Reasons Why You Didn’t Book the Role, and What You Can Change</title>
		<link>https://www.nycastings.com/why-didnt-i-get-it-reasons-why-you-didnt-book-the-role-and-what-you-can-change/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-didnt-i-get-it-reasons-why-you-didnt-book-the-role-and-what-you-can-change</link>
		<comments>https://www.nycastings.com/why-didnt-i-get-it-reasons-why-you-didnt-book-the-role-and-what-you-can-change/#comments</comments>
		<pubDate>Mon, 14 Aug 2017 16:25:17 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[auditions]]></category>
		<category><![CDATA[booking]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[the reader]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10365</guid>
		<description><![CDATA[<p>The feeling is familiar to even the most successful actor: that one audition you were so stoked about, the one where you were so sure you had nailed the perfect audition for the perfect role for you&#8211;and you didn&#8217;t get the call. Or rather, you got a call, it just wasn’t the one you wanted. [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/why-didnt-i-get-it-reasons-why-you-didnt-book-the-role-and-what-you-can-change/">Why Didn’t I Get It? Reasons Why You Didn’t Book the Role, and What You Can Change</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>“Making it” without the Fame and Fortune</title>
		<link>https://www.nycastings.com/making-it-without-the-fame-and-fortune/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=making-it-without-the-fame-and-fortune</link>
		<comments>https://www.nycastings.com/making-it-without-the-fame-and-fortune/#comments</comments>
		<pubDate>Wed, 31 May 2017 15:38:25 +0000</pubDate>
		<dc:creator><![CDATA[Brittany Hogan Alomar]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting coach]]></category>
		<category><![CDATA[acting teacher]]></category>
		<category><![CDATA[choreographer]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[drama teacher]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[making it in show business]]></category>
		<category><![CDATA[show business]]></category>
		<category><![CDATA[talent agent]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=9796</guid>
		<description><![CDATA[<p>Nowadays it seems we live in a fame-obsessed world. So often I hear people exclaim, “Wow, he’s really made it!” after learning of a job that will offer fame and fortune in return. While these jobs are, of course, something to be proud of, there are numerous other ways to feel like you are accomplishing [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/making-it-without-the-fame-and-fortune/">“Making it” without the Fame and Fortune</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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