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	<title>NYCastings - DirectSubmit &#187; Screen Actors Guild</title>
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		<title>Becoming A Successful Commercial Actor</title>
		<link>https://www.nycastings.com/becoming-a-successful-commercial-actor/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=becoming-a-successful-commercial-actor</link>
		<comments>https://www.nycastings.com/becoming-a-successful-commercial-actor/#comments</comments>
		<pubDate>Thu, 16 Nov 2023 18:27:41 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[Acting Career Tips]]></category>
		<category><![CDATA[Acting Roles]]></category>
		<category><![CDATA[Acting training and workshops]]></category>
		<category><![CDATA[Building a versatile acting portfolio]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Commercial acting guide]]></category>
		<category><![CDATA[Commercial Actor]]></category>
		<category><![CDATA[Commercial actor success]]></category>
		<category><![CDATA[Industrial videos]]></category>
		<category><![CDATA[Infomercials]]></category>
		<category><![CDATA[Live demonstrations and promotions]]></category>
		<category><![CDATA[Networking in acting]]></category>
		<category><![CDATA[Non-union acting opportunities]]></category>
		<category><![CDATA[Online and social media ads]]></category>
		<category><![CDATA[Print advertising acting]]></category>
		<category><![CDATA[Professionalism in acting]]></category>
		<category><![CDATA[Residuals for actors]]></category>
		<category><![CDATA[SAG-AFTRA benefits]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[talent agents]]></category>
		<category><![CDATA[Television commercials]]></category>
		<category><![CDATA[Understanding acting pay rates]]></category>
		<category><![CDATA[Union vs non-union acting]]></category>
		<category><![CDATA[voice-over work]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24776</guid>
		<description><![CDATA[<p>Becoming a successful commercial actor requires understanding the diverse landscape of opportunities and navigating both union and non-union work. Here&#8217;s a comprehensive guide to help aspiring commercial actors achieve success. Understanding the Diversity of Commercial Acting Opportunities Television Commercials: These are high-visibility spots on national or local TV. They can range from high-budget ads by [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/becoming-a-successful-commercial-actor/">Becoming A Successful Commercial Actor</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Actors – How to Get on a Casting Director’s Radar</title>
		<link>https://www.nycastings.com/actors-how-to-get-on-a-casting-directors-radar/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=actors-how-to-get-on-a-casting-directors-radar</link>
		<comments>https://www.nycastings.com/actors-how-to-get-on-a-casting-directors-radar/#comments</comments>
		<pubDate>Wed, 08 Jul 2020 15:16:38 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[additional dialogue replacement]]></category>
		<category><![CDATA[ADR]]></category>
		<category><![CDATA[aftra]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[Amazon]]></category>
		<category><![CDATA[audio books]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[child actors]]></category>
		<category><![CDATA[child performers]]></category>
		<category><![CDATA[Covid-19]]></category>
		<category><![CDATA[DirectSubmit]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[Joe Franklin]]></category>
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		<category><![CDATA[Nancy McBride]]></category>
		<category><![CDATA[Nascar]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[sag]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[Steve Garrin]]></category>
		<category><![CDATA[Susan Johnston]]></category>
		<category><![CDATA[Terry Berland]]></category>
		<category><![CDATA[Upstairs at Patsy’s]]></category>
		<category><![CDATA[voiceovers]]></category>
		<category><![CDATA[WOMEN IN FILM AND TELEVISION]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=20270</guid>
		<description><![CDATA[<p>Actors, today you’ll read how to get on a Casting Director’s radar. Four prominent Casting Directors; four different perspectives on casting. We interviewed four CDs who work with different types of people and companies looking to book and protect clients. You will gain insight to what makes a CD tick and what they are looking [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/actors-how-to-get-on-a-casting-directors-radar/">Actors – How to Get on a Casting Director’s Radar</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<item>
		<title>Here&#8217;s The Skinny On Actors Equity: How To Join AEA And Some Other Considerations</title>
		<link>https://www.nycastings.com/heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations</link>
		<comments>https://www.nycastings.com/heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations/#comments</comments>
		<pubDate>Thu, 09 May 2019 14:34:40 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actor's Equity Association]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[AGMA]]></category>
		<category><![CDATA[AGVA]]></category>
		<category><![CDATA[EMC]]></category>
		<category><![CDATA[EPA]]></category>
		<category><![CDATA[Equity contract]]></category>
		<category><![CDATA[Equity Membership Candidate]]></category>
		<category><![CDATA[Equity Principal Auditions]]></category>
		<category><![CDATA[Equity producers]]></category>
		<category><![CDATA[Fi-Core]]></category>
		<category><![CDATA[GIAA]]></category>
		<category><![CDATA[live theater performers]]></category>
		<category><![CDATA[non-Equity]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[stage managers]]></category>
		<category><![CDATA[theatre auditions]]></category>
		<category><![CDATA[Theatre Directors]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15721</guid>
		<description><![CDATA[<p>To conclude our series on actor&#8217;s unions where we talk about the ins and outs of joining, or deciding not to join – or deciding to join but not really joining (i.e. fi-core) – let&#8217;s turn finally to AEA, the Actor&#8217;s Equity Association, commonly referred to as Equity. This is the union for live theater [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations/">Here&#8217;s The Skinny On Actors Equity: How To Join AEA And Some Other Considerations</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To Work Or Not To Work: Considering The Advantages of Fi-Core and Its Consequences</title>
		<link>https://www.nycastings.com/to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences</link>
		<comments>https://www.nycastings.com/to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences/#comments</comments>
		<pubDate>Tue, 07 May 2019 14:46:33 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actin Work]]></category>
		<category><![CDATA[American Federation of Television and Radio Artists]]></category>
		<category><![CDATA[financial core]]></category>
		<category><![CDATA[How Can I Join the Union]]></category>
		<category><![CDATA[Making a living]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[SAG-AFTRA Fi-Core]]></category>
		<category><![CDATA[SAG-AFTRA Franchised Agency]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[Union Dues]]></category>
		<category><![CDATA[Union Initiation Fee]]></category>
		<category><![CDATA[When to Join the Union]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15707</guid>
		<description><![CDATA[<p>As actors, of course we have a drive and a love for performing that supersedes virtually all other considerations. We&#8217;re the people who might have been ridiculed in high school as members of the drama club, and we&#8217;re the people who bash our heads against the wall of audition after audition. And we may well [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences/">To Work Or Not To Work: Considering The Advantages of Fi-Core and Its Consequences</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>SAG &#8211; 411 Important info from the SAG office</title>
		<link>https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sag-411-important-info-from-the-sag-office-2</link>
		<comments>https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 10:47:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actor]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[aftra]]></category>
		<category><![CDATA[awards]]></category>
		<category><![CDATA[background]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[extra]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[principal]]></category>
		<category><![CDATA[sag]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[Taft Hartley]]></category>
		<category><![CDATA[union]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/sag-411-important-info-from-the-sag-office-2/</guid>
		<description><![CDATA[<p>On a mission to clear up Union vs. Non-Union rumors&#8230; NYCastings tapped directly into the Screen Actors Guild (SAG) and got them to reveal details about rules, leniencies, and those coveted three waivers&#8230; Q. Any expiration date to waivers? A. There is no expiration for Taft-Hartley waivers, but remember &#8211; it is the work and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/">SAG &#8211; 411 Important info from the SAG office</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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