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	<title>NYCastings - DirectSubmit &#187; union</title>
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		<title>The SAG-AFTRA Micro-Budget Project Agreement</title>
		<link>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-sag-aftra-micro-budget-project-agreement</link>
		<comments>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/#comments</comments>
		<pubDate>Sun, 12 Nov 2023 19:17:43 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting choices]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film budgeting]]></category>
		<category><![CDATA[film crew hiring]]></category>
		<category><![CDATA[film distribution]]></category>
		<category><![CDATA[film industry standards]]></category>
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		<category><![CDATA[film production]]></category>
		<category><![CDATA[film project guidelines]]></category>
		<category><![CDATA[film project planning]]></category>
		<category><![CDATA[film talent acquisition]]></category>
		<category><![CDATA[filmmaking options]]></category>
		<category><![CDATA[getting your script made]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[indie film]]></category>
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		<category><![CDATA[movie industry]]></category>
		<category><![CDATA[movie project decisions]]></category>
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		<category><![CDATA[non-union]]></category>
		<category><![CDATA[non-union project flexibility]]></category>
		<category><![CDATA[non-union vs union]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=24781</guid>
		<description><![CDATA[<p>Deciding whether to make your film project non-union or union is a pivotal choice that can significantly impact the scope, budget, and potential reach of your production. Opting for a non-union route often provides more flexibility in terms of budget constraints and casting options, potentially making it suitable for independent or smaller-scale projects. Conversely, going [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/">The SAG-AFTRA Micro-Budget Project Agreement</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Film Set Terms to Know</title>
		<link>https://www.nycastings.com/film-set-terms-to-know/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=film-set-terms-to-know</link>
		<comments>https://www.nycastings.com/film-set-terms-to-know/#comments</comments>
		<pubDate>Sun, 05 Sep 2021 19:07:23 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[How-to]]></category>
		<category><![CDATA[Above the Line]]></category>
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		<guid isPermaLink="false">https://www.nycastings.com/?p=21892</guid>
		<description><![CDATA[<p>Film Set Terms to Know Film sets are a magical place to work, but they can also be very confusing if you’re new on set. Film sets seem to have their own language, and if you suddenly find yourself on set without knowledge of the terms, you’re going to be very confused. Even just doing a [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/film-set-terms-to-know/">Film Set Terms to Know</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>The 100&#8217;s Adina Porter – The Character Transformation</title>
		<link>https://www.nycastings.com/the-100s-adina-porter-the-character-transformation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-100s-adina-porter-the-character-transformation</link>
		<comments>https://www.nycastings.com/the-100s-adina-porter-the-character-transformation/#comments</comments>
		<pubDate>Fri, 01 Jan 2016 00:36:12 +0000</pubDate>
		<dc:creator><![CDATA[Ilana Rapp]]></dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Acting Advice]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[Adina Porter]]></category>
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		<category><![CDATA[auditions]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[career]]></category>
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		<category><![CDATA[Character Transformation Tips]]></category>
		<category><![CDATA[Grounder]]></category>
		<category><![CDATA[Ilana Rapp]]></category>
		<category><![CDATA[NYCastings]]></category>
		<category><![CDATA[sag]]></category>
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		<category><![CDATA[the 100]]></category>
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		<category><![CDATA[williamstown theatre festival]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=5841</guid>
		<description><![CDATA[<p>You&#8217;ll recognize Adina Porter from the CW&#8217;s The 100, HBO&#8217;s True Blood and HBO&#8217;s The Newsroom. Soon you&#8217;ll see her on the new show Underground. Adina Porter is a master at transformation. She&#8217;s barely recognizable from role to role. Even if you look into her eyes, she&#8217;s 100% pure character. One of the things that makes [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-100s-adina-porter-the-character-transformation/">The 100&#8217;s Adina Porter – The Character Transformation</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<title>Talent &#8211; Join Now &amp; Submit To Casting Notices</title>
		<link>https://www.nycastings.com/actors-models-dancers-singers-vo-artists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=actors-models-dancers-singers-vo-artists</link>
		<comments>https://www.nycastings.com/actors-models-dancers-singers-vo-artists/#comments</comments>
		<pubDate>Sun, 17 May 2015 19:22:05 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[About Us]]></category>
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		<category><![CDATA[singers]]></category>
		<category><![CDATA[submit yourself to casting calls]]></category>
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		<category><![CDATA[talent agent]]></category>
		<category><![CDATA[the acting guru]]></category>
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		<guid isPermaLink="false">http://www.nycastings.com/wpblog/?p=2709</guid>
		<description><![CDATA[<p>How &#38; When to Join NYCastings / DirectSubmit lets Actors, Models, Singers &#38; Dancers (Kids to Seniors) &#8216;DirectSubmit&#8216; themselves to Film, TV, Theatre, Commercial, Print Casting Calls &#38; Talent Agencies nationwide. We&#8217;ve been in business for 24 years, and have had over 96,000 projects work with us.  To do this, the Talent submits their Resume through [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/actors-models-dancers-singers-vo-artists/">Talent &#8211; Join Now &#038; Submit To Casting Notices</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>NYCastings Top Booker&#8217;s TOP 10! &#8211; Lauren Francesca gives tips you can count on</title>
		<link>https://www.nycastings.com/nycastings-top-bookers-top-10-lauren-francesca-gives-tips-you-can-count-on-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nycastings-top-bookers-top-10-lauren-francesca-gives-tips-you-can-count-on-2</link>
		<comments>https://www.nycastings.com/nycastings-top-bookers-top-10-lauren-francesca-gives-tips-you-can-count-on-2/#comments</comments>
		<pubDate>Mon, 20 Sep 2010 09:50:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[Top Bookers]]></category>
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		<category><![CDATA[casting networks]]></category>
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		<guid isPermaLink="false">http://www.nycastings.com/wpblog/nycastings-top-bookers-top-10-lauren-francesca-gives-tips-you-can-count-on-2/</guid>
		<description><![CDATA[<p>Breaking news in 2009&#8230; Lauren Francesca won the NYCastings Top Booker of 2009 contest, with a grand total of $11,395 in earnings and more than 32 roles acquired through NYCastings in the year. Seriously &#8211; a fantastic accomplishment! And, no doubt, many actors would like to secure this kind of return on their NYCastings investment. [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/nycastings-top-bookers-top-10-lauren-francesca-gives-tips-you-can-count-on-2/">NYCastings Top Booker&#8217;s TOP 10! &#8211; Lauren Francesca gives tips you can count on</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Hit a High Note &#8211; Theatrical Acting Advice from Casting Director Jamibeth Margolis</title>
		<link>https://www.nycastings.com/hit-a-high-note-theatrical-acting-advice-from-casting-director-jamibeth-margolis/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hit-a-high-note-theatrical-acting-advice-from-casting-director-jamibeth-margolis</link>
		<comments>https://www.nycastings.com/hit-a-high-note-theatrical-acting-advice-from-casting-director-jamibeth-margolis/#comments</comments>
		<pubDate>Fri, 21 May 2010 09:51:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[Advice]]></category>
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		<category><![CDATA[Actor]]></category>
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		<category><![CDATA[casting director]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Jamibeth Margolis]]></category>
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		<guid isPermaLink="false">http://www.nycastings.com/wpblog/hit-a-high-note-2/</guid>
		<description><![CDATA[<p>Casting over 30 projects a year, Jamibeth Margolis knows what it takes to build a note worthy career. I love working with actors and knowing actors, says Jamibeth. I love the creative process of working with writes, directors, producers and seeing that negotiation of what goes on at the table and who ends up getting [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/hit-a-high-note-theatrical-acting-advice-from-casting-director-jamibeth-margolis/">Hit a High Note &#8211; Theatrical Acting Advice from Casting Director Jamibeth Margolis</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>SAG &#8211; 411 Important info from the SAG office</title>
		<link>https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sag-411-important-info-from-the-sag-office-2</link>
		<comments>https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 10:47:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actor]]></category>
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		<category><![CDATA[aftra]]></category>
		<category><![CDATA[awards]]></category>
		<category><![CDATA[background]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[Director]]></category>
		<category><![CDATA[extra]]></category>
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		<category><![CDATA[non-union]]></category>
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		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[Taft Hartley]]></category>
		<category><![CDATA[union]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/sag-411-important-info-from-the-sag-office-2/</guid>
		<description><![CDATA[<p>On a mission to clear up Union vs. Non-Union rumors&#8230; NYCastings tapped directly into the Screen Actors Guild (SAG) and got them to reveal details about rules, leniencies, and those coveted three waivers&#8230; Q. Any expiration date to waivers? A. There is no expiration for Taft-Hartley waivers, but remember &#8211; it is the work and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/">SAG &#8211; 411 Important info from the SAG office</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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