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	<title>NYCastings - DirectSubmit &#187; non-union</title>
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		<title>The SAG-AFTRA Micro-Budget Project Agreement</title>
		<link>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-sag-aftra-micro-budget-project-agreement</link>
		<comments>https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/#comments</comments>
		<pubDate>Sun, 12 Nov 2023 19:17:43 +0000</pubDate>
		<dc:creator><![CDATA[Aaron Seals]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[casting choices]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film budgeting]]></category>
		<category><![CDATA[film crew hiring]]></category>
		<category><![CDATA[film distribution]]></category>
		<category><![CDATA[film industry standards]]></category>
		<category><![CDATA[film marketability]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[film project guidelines]]></category>
		<category><![CDATA[film project planning]]></category>
		<category><![CDATA[film talent acquisition]]></category>
		<category><![CDATA[filmmaking options]]></category>
		<category><![CDATA[getting your script made]]></category>
		<category><![CDATA[independent filmmaking]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[indie film production]]></category>
		<category><![CDATA[low-budget film]]></category>
		<category><![CDATA[movie industry]]></category>
		<category><![CDATA[movie project decisions]]></category>
		<category><![CDATA[movie script]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[non-union project flexibility]]></category>
		<category><![CDATA[non-union vs union]]></category>
		<category><![CDATA[professional actors]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[story live]]></category>
		<category><![CDATA[storyline]]></category>
		<category><![CDATA[student films]]></category>
		<category><![CDATA[union]]></category>
		<category><![CDATA[union benefits in filmmaking]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=24781</guid>
		<description><![CDATA[<p>Deciding whether to make your film project non-union or union is a pivotal choice that can significantly impact the scope, budget, and potential reach of your production. Opting for a non-union route often provides more flexibility in terms of budget constraints and casting options, potentially making it suitable for independent or smaller-scale projects. Conversely, going [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-sag-aftra-micro-budget-project-agreement/">The SAG-AFTRA Micro-Budget Project Agreement</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Eternal Actor&#8217;s Question: How Can I Join SAG-AFTRA And Should I?</title>
		<link>https://www.nycastings.com/the-eternal-actors-question-how-can-i-join-sag-aftra-and-should-i/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-eternal-actors-question-how-can-i-join-sag-aftra-and-should-i</link>
		<comments>https://www.nycastings.com/the-eternal-actors-question-how-can-i-join-sag-aftra-and-should-i/#comments</comments>
		<pubDate>Thu, 28 Oct 2021 18:52:26 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actors Union]]></category>
		<category><![CDATA[Competition]]></category>
		<category><![CDATA[Health Insurance]]></category>
		<category><![CDATA[initiation fee]]></category>
		<category><![CDATA[Joining SAG-AFTRA]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[PROFESSIONAL actor]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Taft Hartley]]></category>
		<category><![CDATA[Union Auditions]]></category>
		<category><![CDATA[Union Card]]></category>
		<category><![CDATA[Union Dues]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15673</guid>
		<description><![CDATA[<p>For many actors the question of whether they want to join an actors&#8217; union is a given: hell yes, I want to join! After all, that&#8217;s the dream, isn&#8217;t it? To be a true PROFESSIONAL actor, to make more money and to make steady money doing what you love. Who wouldn&#8217;t love to have higher [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/the-eternal-actors-question-how-can-i-join-sag-aftra-and-should-i/">The Eternal Actor&#8217;s Question: How Can I Join SAG-AFTRA And Should I?</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Being Grounded In Your Authenticity: An Interview with Kevin Kennison</title>
		<link>https://www.nycastings.com/being-grounded-in-your-authenticity-an-interview-with-kevin-kennison/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=being-grounded-in-your-authenticity-an-interview-with-kevin-kennison</link>
		<comments>https://www.nycastings.com/being-grounded-in-your-authenticity-an-interview-with-kevin-kennison/#comments</comments>
		<pubDate>Fri, 19 Jun 2020 18:47:36 +0000</pubDate>
		<dc:creator><![CDATA[Huma Kazi]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[auditioning]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Kevin Kennison]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Self-Tape]]></category>
		<category><![CDATA[TYPECASTING]]></category>
		<category><![CDATA[unions]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=20058</guid>
		<description><![CDATA[<p>To properly equip yourself for the entertainment industry, you don’t just need a camera, a script, a degree, or a reel. You need versatility, you need the ups and the downs, and most importantly &#8211; according to Kevin Kennison of K2 Casting &#8211; you need to be yourself for every step of your journey. Kevin [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/being-grounded-in-your-authenticity-an-interview-with-kevin-kennison/">Being Grounded In Your Authenticity: An Interview with Kevin Kennison</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Get Seen at Equity Auditions</title>
		<link>https://www.nycastings.com/how-to-get-seen-at-equity-auditions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-get-seen-at-equity-auditions</link>
		<comments>https://www.nycastings.com/how-to-get-seen-at-equity-auditions/#comments</comments>
		<pubDate>Tue, 03 Sep 2019 14:36:45 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[acting career]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[equity auditions]]></category>
		<category><![CDATA[Headshots]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=16347</guid>
		<description><![CDATA[<p>How to Get Seen at Equity Auditions&#8230; It&#8217;s a tale as old as time – or at least as old as our modern definition of work: you get out of school, your fresh little brain just jam-packed with new knowledge that you&#8217;re eager to parley into work in your field to earn some sweet, sweet [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/how-to-get-seen-at-equity-auditions/">How to Get Seen at Equity Auditions</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creating Your Own Acting Work: Be Like Matt and Ben Part II</title>
		<link>https://www.nycastings.com/creating-your-own-acting-work-be-like-matt-and-ben-part-ii/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=creating-your-own-acting-work-be-like-matt-and-ben-part-ii</link>
		<comments>https://www.nycastings.com/creating-your-own-acting-work-be-like-matt-and-ben-part-ii/#comments</comments>
		<pubDate>Fri, 17 May 2019 16:07:30 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[acting classes]]></category>
		<category><![CDATA[Being the Lead]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[Casting Yourself]]></category>
		<category><![CDATA[Create your own work]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[film community]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[Film Finance]]></category>
		<category><![CDATA[Film Producers]]></category>
		<category><![CDATA[Final Draft]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Motivation]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[producing]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[SAG-AFTRA Signatory Producer]]></category>
		<category><![CDATA[Screenwriter]]></category>
		<category><![CDATA[Script Writing]]></category>
		<category><![CDATA[Short Film Script]]></category>
		<category><![CDATA[Union or Non-Union]]></category>
		<category><![CDATA[Web-Series Script]]></category>
		<category><![CDATA[Writer]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15989</guid>
		<description><![CDATA[<p>Acting Work! So as we talked earlier this week (Part 1 of Creating Your Own Acting Work), it&#8217;s just a fact: in the acting game there are peaks and valleys. The nature of the beast of the actor&#8217;s life is that there will sometimes be work, and there will sometimes be dry periods. But it&#8217;s a [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/creating-your-own-acting-work-be-like-matt-and-ben-part-ii/">Creating Your Own Acting Work: Be Like Matt and Ben Part II</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Here&#8217;s The Skinny On Actors Equity: How To Join AEA And Some Other Considerations</title>
		<link>https://www.nycastings.com/heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations</link>
		<comments>https://www.nycastings.com/heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations/#comments</comments>
		<pubDate>Thu, 09 May 2019 14:34:40 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actor's Equity Association]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[AGMA]]></category>
		<category><![CDATA[AGVA]]></category>
		<category><![CDATA[EMC]]></category>
		<category><![CDATA[EPA]]></category>
		<category><![CDATA[Equity contract]]></category>
		<category><![CDATA[Equity Membership Candidate]]></category>
		<category><![CDATA[Equity Principal Auditions]]></category>
		<category><![CDATA[Equity producers]]></category>
		<category><![CDATA[Fi-Core]]></category>
		<category><![CDATA[GIAA]]></category>
		<category><![CDATA[live theater performers]]></category>
		<category><![CDATA[non-Equity]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[stage managers]]></category>
		<category><![CDATA[theatre auditions]]></category>
		<category><![CDATA[Theatre Directors]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15721</guid>
		<description><![CDATA[<p>To conclude our series on actor&#8217;s unions where we talk about the ins and outs of joining, or deciding not to join – or deciding to join but not really joining (i.e. fi-core) – let&#8217;s turn finally to AEA, the Actor&#8217;s Equity Association, commonly referred to as Equity. This is the union for live theater [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/heres-the-skinny-on-actors-equity-how-to-join-aea-and-some-other-considerations/">Here&#8217;s The Skinny On Actors Equity: How To Join AEA And Some Other Considerations</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To Work Or Not To Work: Considering The Advantages of Fi-Core and Its Consequences</title>
		<link>https://www.nycastings.com/to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences</link>
		<comments>https://www.nycastings.com/to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences/#comments</comments>
		<pubDate>Tue, 07 May 2019 14:46:33 +0000</pubDate>
		<dc:creator><![CDATA[Kurtis Bright]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actin Work]]></category>
		<category><![CDATA[American Federation of Television and Radio Artists]]></category>
		<category><![CDATA[financial core]]></category>
		<category><![CDATA[How Can I Join the Union]]></category>
		<category><![CDATA[Making a living]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[SAG-AFTRA Fi-Core]]></category>
		<category><![CDATA[SAG-AFTRA Franchised Agency]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[Union Dues]]></category>
		<category><![CDATA[Union Initiation Fee]]></category>
		<category><![CDATA[When to Join the Union]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15707</guid>
		<description><![CDATA[<p>As actors, of course we have a drive and a love for performing that supersedes virtually all other considerations. We&#8217;re the people who might have been ridiculed in high school as members of the drama club, and we&#8217;re the people who bash our heads against the wall of audition after audition. And we may well [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/to-work-or-not-to-work-considering-the-advantages-of-fi-core-and-its-consequences/">To Work Or Not To Work: Considering The Advantages of Fi-Core and Its Consequences</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Resources To Seek Out In Addition To An Acting Coach To Propel Your Career</title>
		<link>https://www.nycastings.com/resources-to-seek-out-in-addition-to-an-acting-coach-to-propel-your-career/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=resources-to-seek-out-in-addition-to-an-acting-coach-to-propel-your-career</link>
		<comments>https://www.nycastings.com/resources-to-seek-out-in-addition-to-an-acting-coach-to-propel-your-career/#comments</comments>
		<pubDate>Mon, 06 May 2019 15:03:15 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[acting class]]></category>
		<category><![CDATA[acting headshots]]></category>
		<category><![CDATA[Acting Resume]]></category>
		<category><![CDATA[Audition Reel]]></category>
		<category><![CDATA[casting director]]></category>
		<category><![CDATA[networking]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[resume]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[talent agent]]></category>
		<category><![CDATA[The Studio at NYCastings]]></category>
		<category><![CDATA[Vocal Coach]]></category>

		<guid isPermaLink="false">https://www.nycastings.com/?p=15690</guid>
		<description><![CDATA[<p>As an actor, it’s important to have an acting coach to assist you with keeping the focus on your career, helping you prep lines for auditions and educate you on acting styles and techniques. As is with any job, you should always be learning and growing within your industry to become as close to an [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/resources-to-seek-out-in-addition-to-an-acting-coach-to-propel-your-career/">Resources To Seek Out In Addition To An Acting Coach To Propel Your Career</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Union or Non-Union: The Most Important Thing You Need to Know as an Actor</title>
		<link>https://www.nycastings.com/union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor</link>
		<comments>https://www.nycastings.com/union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor/#comments</comments>
		<pubDate>Thu, 14 Sep 2017 20:53:28 +0000</pubDate>
		<dc:creator><![CDATA[Shaun Grant]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[acting business]]></category>
		<category><![CDATA[actors equity]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[Brock Kelly]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[indie films]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[non-union]]></category>
		<category><![CDATA[sag-aftra]]></category>
		<category><![CDATA[Supernatural]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=10600</guid>
		<description><![CDATA[<p>One of the most important decisions you will ever make as an actor is whether or not to join the SAG-AFTRA Union. Now at first glance, this seems like the most viable option for any actor with experience and credits. But, and that’s a huge but, it’s not always that black and white. The number [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/union-or-non-union-the-most-important-thing-you-need-to-know-as-an-actor/">Union or Non-Union: The Most Important Thing You Need to Know as an Actor</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
]]></description>
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		</item>
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		<title>Background Acting: How to Make the Most of It</title>
		<link>https://www.nycastings.com/background-acting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=background-acting</link>
		<comments>https://www.nycastings.com/background-acting/#comments</comments>
		<pubDate>Mon, 24 Aug 2015 15:08:01 +0000</pubDate>
		<dc:creator><![CDATA[Michelle Lulic]]></dc:creator>
				<category><![CDATA[Advice]]></category>
		<category><![CDATA[background actor wages]]></category>
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		<category><![CDATA[casting director]]></category>
		<category><![CDATA[Christopher Pasi]]></category>
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		<category><![CDATA[Waivers]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/?p=4732</guid>
		<description><![CDATA[<p>You saw the casting notice on NYCastings, you sent in your best headshot, and the rest is out of your hands. Until, suddenly, you get a late night call from casting saying that you’re needed on set &#8212; for one of your favorite TV shows! Okay, so it’s not exactly the speaking role you’ve dreamed of, but it’s [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/background-acting/">Background Acting: How to Make the Most of It</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>Talent &#8211; Join Now &amp; Submit To Casting Notices</title>
		<link>https://www.nycastings.com/actors-models-dancers-singers-vo-artists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=actors-models-dancers-singers-vo-artists</link>
		<comments>https://www.nycastings.com/actors-models-dancers-singers-vo-artists/#comments</comments>
		<pubDate>Sun, 17 May 2015 19:22:05 +0000</pubDate>
		<dc:creator><![CDATA[DirectSubmit]]></dc:creator>
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		<guid isPermaLink="false">http://www.nycastings.com/wpblog/?p=2709</guid>
		<description><![CDATA[<p>How &#38; When to Join NYCastings / DirectSubmit lets Actors, Models, Singers &#38; Dancers (Kids to Seniors) &#8216;DirectSubmit&#8216; themselves to Film, TV, Theatre, Commercial, Print Casting Calls &#38; Talent Agencies nationwide. We&#8217;ve been in business for 24 years, and have had over 96,000 projects work with us.  To do this, the Talent submits their Resume through [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/actors-models-dancers-singers-vo-artists/">Talent &#8211; Join Now &#038; Submit To Casting Notices</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>ASK THE LAWYER &#8211; Contract Advice for Non-Union Actors, by Attorney &amp; Actor Robert Sciglimpaglia</title>
		<link>https://www.nycastings.com/ask-the-lawyer-contract-advice-for-non-union-actors-by-attorney-actor-robert-sciglimpaglia-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ask-the-lawyer-contract-advice-for-non-union-actors-by-attorney-actor-robert-sciglimpaglia-2</link>
		<comments>https://www.nycastings.com/ask-the-lawyer-contract-advice-for-non-union-actors-by-attorney-actor-robert-sciglimpaglia-2/#comments</comments>
		<pubDate>Mon, 21 Mar 2011 15:37:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[How-to]]></category>
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		<category><![CDATA[indie film]]></category>
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		<category><![CDATA[Robert Sciglimpaglia]]></category>
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		<guid isPermaLink="false">http://www.nycastings.com/wpblog/ask-the-lawyer-contract-advice-for-non-union-actors-by-attorney-actor-robert-sciglimpaglia-2/</guid>
		<description><![CDATA[<p>Pen in hand, you are about to sign a contract for your latest acting gig as so many questions pop into your head&#8230;  Is this contract worded fairly? How will my image be used, exactly? Should I really sign away the rights to &#8216;everything in the universe known or not known&#8217; because that wording sounds [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/ask-the-lawyer-contract-advice-for-non-union-actors-by-attorney-actor-robert-sciglimpaglia-2/">ASK THE LAWYER &#8211; Contract Advice for Non-Union Actors, by Attorney &#038; Actor Robert Sciglimpaglia</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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		<title>SAG &#8211; 411 Important info from the SAG office</title>
		<link>https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sag-411-important-info-from-the-sag-office-2</link>
		<comments>https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 10:47:00 +0000</pubDate>
		<dc:creator><![CDATA[Kelly Calabrese]]></dc:creator>
				<category><![CDATA[How-to]]></category>
		<category><![CDATA[Actor]]></category>
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		<category><![CDATA[awards]]></category>
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		<category><![CDATA[principal]]></category>
		<category><![CDATA[sag]]></category>
		<category><![CDATA[Screen Actors Guild]]></category>
		<category><![CDATA[Taft Hartley]]></category>
		<category><![CDATA[union]]></category>

		<guid isPermaLink="false">http://www.nycastings.com/wpblog/sag-411-important-info-from-the-sag-office-2/</guid>
		<description><![CDATA[<p>On a mission to clear up Union vs. Non-Union rumors&#8230; NYCastings tapped directly into the Screen Actors Guild (SAG) and got them to reveal details about rules, leniencies, and those coveted three waivers&#8230; Q. Any expiration date to waivers? A. There is no expiration for Taft-Hartley waivers, but remember &#8211; it is the work and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.nycastings.com/sag-411-important-info-from-the-sag-office-2/">SAG &#8211; 411 Important info from the SAG office</a> appeared first on <a rel="nofollow" href="https://www.nycastings.com">NYCastings - DirectSubmit</a>.</p>
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